{"title":"Sale","description":"\u003cp\u003eGrab yourself a bargain! Dropped prices across a full range amps, pedals, accessories and studio gear. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"mastery-bridge-mrc-rickenbacker-cover","title":"MASTERY BRIDGE MRC - Rickenbacker Cover","description":"\u003cp\u003e\u003cspan\u003eMastery Bridge cover for Rickenbacker®- Hand straight-line sanded solid 304 stainless cover with solid stainless Phillips screws. No, we don't make press-fit covers for offset bridges, it won't work. Please stop asking.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mastery","offers":[{"title":"Default Title","offer_id":15308019892335,"sku":"MAST-MRC","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/b7b07f270976383fce69f924e41855ee.jpg?v=1553151264"},{"product_id":"analog-alien-alien-twister","title":"ANALOG ALIEN Alien Twister","description":"\u003cp\u003eThe Alien Twister has touched down, and according to preliminary reports it has all the makings of an F-5 Tornato! The Alien Twister is a Fuzz, Distortion, Overdrive pedal with a built in buffer. The Twister comes in a cloth satchel and is packed in it’s own branded wooden box and includes a bottle of Chips favorite Hot Sauce. With an output that reaches unity gain at 10 O’ Clock this pedal has plenty of power to blow the doors off of all your favorite venues.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePedal Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Control\u003c\/strong\u003e:The Input Control adjusts the level of the signal that is sent to the input of AT and is a very handy feature to have on a fuzz pedal. It not only makes the AT more versatile, but when combined with the stab control, it offers you, the guitarist, a greater spectrum of tonal possibilities.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutput Control\u003c\/strong\u003e:The Output Control sets the amount of output signal that is sent to your amp. Let me warn you that the AT has a lot of output gain – a lot! It reaches unity gain at 10 O’Clock!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStab Control\u003c\/strong\u003e:The Stab Control adjusts the amount of voltage that is sent to the final transistor stage of the Alien Twister. Turning the Stab Control counter-clockwise to the left decreases the voltage. The more this control is turned to the left, the more the notes will tend to splatter and will have less definition. Turning the Stab Control clockwise to the right increases the voltage level. The result is a stronger sounding fuzz with lots of sustain and greater note definition. The sensitivity of this control depends on how strong your pickups are and how you set the input control on the AT. The Stab Control works hand in glove with the input control. Both can be adjusted to allow you to go from a thick vintage fuzz to a full rich distortion, and finally to an expressive overdrive.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuffer\u003c\/strong\u003e: You may have read or heard about placing a buffer in your signal chain, but what is a buffer? A buffer is a simple preamp circuit that has a high input impedance and a low output impedance. The buffer adds no gain to the signal, but by converting the impedance from high to low, it gives the signal the strength it needs to make its way through long cable runs, as well as through the circuitry of the other pedals that you may have in your signal chain. A well designed buffer, like the one in the Alien Twister, will accomplish this without loss of tone or signal level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLEASE NOTE: Pedal does not include 9v Power Supply in Australia.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Analog Alien","offers":[{"title":"Default Title","offer_id":15308735283311,"sku":"AA-AT","price":219.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/728a5c0d44090fea4bd4f6404cf51892.jpg?v=1553158081"},{"product_id":"analog-alien-fuzz-bubble-45","title":"ANALOG ALIEN Fuzz Bubble 45","description":"\u003cp\u003eThe Pete side is designed to sound like a vintage tube amp from the 60′s and 70′s. These tones have become legendary in the minds of all rock guitar players. The controls are very simple and straight forward. The output knob controls the effected output level going to your amp. The input level is controlled by your guitar's volume knob – just as it is when you plug into a vintage amp. By adjusting your guitar's volume control you can drastically change the tone and response of the pedal and we encourage you to experiment in this area. The year knob determines the amount of gain you send to the pedals overdrive circuit. By rotating the knob clockwise, towards '77, the sound becomes more distorted producing a rich harmonic texture. This will enhance every note and chord you play, especially power chords…very cool! And just like a vintage tube amp the clarity of each note can still be heard. The circuit is also very touch sensitive responding to your own personal playing style. The tone switch was added to allow you to roll back some of the lower frequencies. Depending on the type of pickups you have in your guitar, this switch can really help put the finishing touches on your sound.\u003c\/p\u003e\n\u003cp\u003eThe Jimi side is one of the best sounding fuzz faces on the planet. Just like the Pete side the controls are simple and easy to use. The input pot controls the amount of signal coming into the pedal. The output pot determines the amount of effected signal that is sent to your amp. The Haze control determines the intensity of the fuzz saturation. Unlike a conventional fuzz control, which is typically found on many Fuzz Faces, the haze control and the input control work together in shaping your sound. Depending on how the two are adjusted you can go from a voodoo wall of Fuzz to one of the sweetest sounding overdrives in the galaxy. The tone switch functions identically as it does in the Pete circuit, offering you even more tone shaping flexibility. Don't be afraid to play with your guitar's output control too. Unlike most fuzz faces the Jimi won't get too thin when you turn your guitar's volume down.\u003c\/p\u003e\n\u003cp\u003eThe true flexibility of this pedal lies in the fact that we designed both sides to work together. Although they're two different circuits, one can be made to sound similar to the other. In other words there's a little yin and yang thing going on here. That's why the color of the LEDs is reversed. Put it all together and you get the Fuzz Bubble-45!.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLEASE NOTE: Pedal does not include 9v Power Supply in Australia.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/JSJFyOd7zCg\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Analog Alien","offers":[{"title":"Default Title","offer_id":15308763463791,"sku":"AA-FB45","price":289.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/2498fd43f0b239275f4eb40b1ee8773c.jpg?v=1553156314"},{"product_id":"dawner-prince-effects-diktator","title":"DAWNER PRINCE EFFECTS Diktator","description":"\u003cp\u003eLike every diktator, this one is rough too, but it can be soft – it has sweetness, but it also has balls…\u003cbr\u003e\u003cbr\u003eIt is a unique two channel combination of clean, transparent preamp \/ booster and rich overdrive \/ distortion that can work independently.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDetonator channel is an extremely versatile drive that takes your tone from light crunch, through rich, fat overdrive, all the way to tight distortion. Two toggle switches are responsible for different tonal and gain shapes, and with two-band active tone control, any desired frequency is easily cut or boosted. Another original feature is a Dynamic-O-Meter™ (Diktator’s eyes), which is a visual indicator of the drive’s dynamic response.\u003cbr\u003e\u003cbr\u003eFuse channel used alone is an ultra transparent preamp which refines the original tone, making your guitar sound bigger and easily pushes amplifier into the natural overdrive. Used in conjunction with detonator channel, it really hits your amp hard and is an excellent booster for lead parts, solos, etc…\u003cbr\u003e\u003cbr\u003eDiktator also utilizes improved power supply filtering circuitry, RF rejection filter, smart PCB routing, no-wire design, audiophile quality components and true bypass switching system.\u003cbr\u003e\u003cbr\u003eAll these features assure the Diktator's domination over your guitar tone and representative place on the pedalboard. Enjoy!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePower Input Voltage: 9 - 18V\u003c\/li\u003e\n\u003cli\u003ePower input connector: 2.1mm barrel connector (Negative tip)\u003c\/li\u003e\n\u003cli\u003ePower Consumption: ~ 13mA\u003c\/li\u003e\n\u003cli\u003eSize: 4.4” x 3.5”\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dawner Prince","offers":[{"title":"Default Title","offer_id":15309972766831,"sku":"DP-DIKT","price":269.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/b155969eeaba66ece8b9dc3be21abf2d.jpg?v=1553146930"},{"product_id":"greenhouse-middleman-booster","title":"GREENHOUSE Middleman Booster","description":"\u003cdiv ng-bind=\"pedal.title\" class=\"pedal-overview-title ng-binding\"\u003eThe Middleman enhances the guitars dominant energy. Conceived after a comprehensive research incorporating professional guitar players and sound technicians. Designed to be a versatile musical tool.\u003c\/div\u003e\n\u003cdiv ng-bind-html-unsafe=\"pedal.content\" class=\"pedal-overview-content ng-binding\"\u003e\n\u003cp\u003eI wanted a pedal that doesn't boost frequencies that are not predominant to the guitar, that can alsodo a flat EQ clean boost and can add a tiny amount of distortion as well.\u003c\/p\u003e\n\u003cp\u003eThe Mid knob sets the amount of boost or cut applied to the mid frequencies at 500Hz(up to 15Db). At 12 o'clock it is nonactive, and delivers a flat EQ response. The Gain knob boosts the level up to 35Db, adding a bit of grit as you crank it. The Volume knob is the master volume control of the Middleman. These simple three knob configuration gives you a substantial number of ways to boost and enhance your sound.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli ng-repeat=\"feature in pedal.features\" class=\"ng-scope ng-binding\"\u003eActive Mid Boost, Clean Boost and Buffer in one pedal.\u003c\/li\u003e\n\u003cli ng-repeat=\"feature in pedal.features\" class=\"ng-scope ng-binding\"\u003eEnhances the guitars natural tone.\u003c\/li\u003e\n\u003cli ng-repeat=\"feature in pedal.features\" class=\"ng-scope ng-binding\"\u003eIdeal for pushing a tube amp into overdrive.\u003c\/li\u003e\n\u003cli ng-repeat=\"feature in pedal.features\" class=\"ng-scope ng-binding\"\u003eCan make a Single coil pickup sound like a Hum-bucker.\u003c\/li\u003e\n\u003cli ng-repeat=\"feature in pedal.features\" class=\"ng-scope ng-binding\"\u003eGreat for stacking with other dirt pedals for new tones\u003c\/li\u003e\n\u003cli ng-repeat=\"feature in pedal.features\" class=\"ng-scope ng-binding\"\u003eTrue Bypass Switching\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1iJRmER9pxE\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e","brand":"Greenhouse Effects","offers":[{"title":"Default Title","offer_id":15310770405487,"sku":"GH-MM-B","price":179.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/f5fce1cd8903567247d61921083f21cf.jpg?v=1553147861"},{"product_id":"jhs-angry-charlie-v3","title":"JHS Angry Charlie V3","description":"\u003cp\u003eThe Angry Charlie has become a staple of the JHS line over the years, and it’s a force to be reckoned with in the high-gain pedal territory. Its ability to convincingly and accurately breathe JCM800 tones into any rig has made it a popular choice for guitarists of all genres. And unlike many other British amp-in-a-box pedals, the Angry Charlie V3 sports a 3-band tone stack, just like the Marshalls, helping nail those warm yet searing tones and boundless sustain. If you are a glutton for high-gain overdrive\/distortion that has a British flavor, the Angry Charlie V3 will change your life. Well, your gear life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurious-sounding amp in a box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTurn the Drive control down, and you might be surprised how bluesy and vintage-like this pedal sounds. But through its different versions, our Angry Charlie distortion has always been one of the more aggressive British amp-in-a-box pedals out there. Either way, you’ll be injecting your amp with the grit and attitude of the UK amplifier heads that gave rock ‘n’ roll its teeth.\u003cbr\u003e- Turns any amp into a screaming Marshall stack\u003cbr\u003e- Go from bluesy Hendrix-like breakup to high-gain Brit tones with a twist of the Drive knob\u003cbr\u003e- Drive and Volume control interact the same as a master volume amp head\u003cbr\u003e- Back off your guitar’s volume to control your gain levels without losing clarity\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarshall-style tone stack\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAfter a couple of extremely well-received versions of the Angry Charlie, we realized that to really nail the ultimate Marshall-style tone, we had to add Marshall-style control. So we gave you a finely tuned Marshall-style 3-band EQ. Enjoy!\u003cbr\u003e- Fine-tune your tone with controls for Bass, Middle, and Treble\u003cbr\u003e- Active controls boost and cut their selected frequencies\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis pedal requires standard 9V DC Negative power, consumes 11mA, and measures 2.6\"x4.8\"x1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVERSION HISTORY:\u003c\/strong\u003e\u003cbr\u003eV1 = larger enclosure and 3 controls, no presence control\u003cbr\u003eV2 = changed to current production size enclosure and look. presence control added.\u003cbr\u003eV3 = color changed to red, added 3 band tone stack, 5 controls total\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3FsTqx8pDo0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":15311127740527,"sku":"JHS-AC","price":269.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/49ed8fc9cd23fff133c2f2d80783d727.jpg?v=1553154870"},{"product_id":"jhs-mute-switch","title":"JHS Mute Switch","description":"\u003cp\u003eWith a name like the JHS Pedals Mute Switch, it doesn’t take a rocket surgeon to guess what this little guy does. But in case you’re still curious, it’s a switch that mutes your signal. This latching design lets you immediately cut your signal for silent tuning, breaks between sets, and more. We’d love to go on about this valuable tool...but we’ve pretty much covered it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIt turns your signal on and off\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis Mute Switch mutes your sound. It’s that simple. And yet we think that with its color-changing LED indicator, high-grade components, and convenient compact size, the JHS Pedals Mute Switch does it better than any other.\u003c\/p\u003e\n\u003cp\u003e- Small size is ideal for saving pedalboard space\u003cbr\u003e- Easy-to-use latching design\u003cbr\u003e- Enjoy absolute silence from everything before it in the chain\u003cbr\u003e- Works great on pedalboards and in effects loops\u003cbr\u003e- LED indicator changes from blue to red to show if the mute is engaged\u003c\/p\u003e\n\u003cp\u003eNOTE that this is NOT a momentary switch. When clicked, the signal stays in the position chosen.\u003c\/p\u003e\n\u003cp\u003eThis pedal is passive but requires standard 9V DC Negative for the LED to function and it measures 3.6\"x1.5\"x1\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":15311183577199,"sku":"JHS-MUTE","price":89.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/jhs-mute.jpg?v=1590379471"},{"product_id":"mr-black-eterna","title":"MR BLACK Eterna","description":"\u003cp\u003e\u003cspan\u003eInfinity and the magnitude of time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe breath of yesterday delicately caresses a shadow of tomorrow, as a touch of shimmering radiance soars across the endless sky. What once was dissolves into forever. Breathtaking, beautiful and inspirational, we bring forth: Eterna.\u003c\/p\u003e\n\u003cp\u003eA remarkable, lush and fully capable reverberator.\u003c\/p\u003e","brand":"Mr Black","offers":[{"title":"Default Title","offer_id":15311985606767,"sku":"MR-B-ETERNA","price":239.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/mrblack-eterna-stained.jpg?v=1657264361"},{"product_id":"rjm-music-technology-10ft-amp-cable-egnater-tourmaster","title":"RJM MUSIC TECHNOLOGY 10ft Amp Cable - Egnater Tourmaster","description":"\u003cp\u003eThis cable allows you to connect an Egnater Tourmaster amp to an Amp Gizmo, Mini Amp Gizmo or RG-16 and control all of the amp's footswitchable functions via MIDI.\u003c\/p\u003e","brand":"RJM Music Technology","offers":[{"title":"Default Title","offer_id":15312348315759,"sku":"RJM-CABLE-EGN-TM","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/d00c0ab093896aaccd7b8fa7464191a1.jpg?v=1553148155"},{"product_id":"rjm-music-technology-10ft-amp-cable-mesa-mark-iv","title":"RJM MUSIC TECHNOLOGY 10ft Amp Cable - Mesa Mark IV","description":"\u003cp\u003eThis cable allows you to connect a Mesa® Mark IV amp to an Amp Gizmo, Mini Amp Gizmo, Rack Gizmo or RG-16 and control the amp's footswitchable functions via MIDI. (this includes all 3 channels, EQ and loop). Notes:\u003cbr\u003eOn an RG-16 or Amp Gizmo, you can use an additional 1\/4\" cable to control the Class A function of the amp.\u003c\/p\u003e","brand":"RJM Music Technology","offers":[{"title":"Default Title","offer_id":15312372858991,"sku":"RJM-CABLE-MESA-M4","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/45dee25760a67243315d46b97f655ec7.jpg?v=1553146600"},{"product_id":"the-gig-rig-evenflo","title":"THE GIG RIG EvenFlo","description":"\u003cp\u003e\u003cspan\u003eDesigned especially for the new range of Eventide pedals the EvenFlo allows you to power your new Time Factor, Mod Factor or Pitch Factor directly from the Generator. If you have all three pedals you can still power them all from a single Generator.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Gig Rig","offers":[{"title":"Default Title","offer_id":15313455153263,"sku":"TGR-EF","price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/c4530f6567c794d8e81b705fc2df4d52.jpg?v=1553142211"},{"product_id":"walrus-audio-descent-reverb","title":"WALRUS AUDIO Descent Reverb","description":"\u003cp\u003e\u003cspan\u003eThe Descent was designed to create ambient textures of sound, from thick and endless hall reverbs to symphonic shimmers. The Descent is a three mode reverb system; hall, reverse, and shimmer. In each mode, the user has the ability to feed +1 and -1 octaves into the reverberated signal. The Hall mode will feature a classic reverb sound that can move your signal from a small-room-echo to a haunting long hall- echo. The Reverse mode smoothly flips your signal to playback unique responses and can be manipulated with pre-delay time controls. Shimmer mode highlights the octave features, dry signal, -1, and +1 to mix in your signal and creates a symphony of sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Descent offers you eight controls to precisely hone in your perfect reverb. In addition, the user can use an auxiliary momentary switch in the fav input to switch the pedal on\/off and\/or save presets. If you have an already crowded pedal board, you can set your Descent at the back of the board and run a small SPST switch to the front of the board so you don’t lose valuable real estate. The Fav input requires a TRS cable to be used. The expression pedal control works with most on-the-shelf expression pedals. This feature allows the user to set the high and low parameters of each control and then fade in and out the those controls by moving your foot up or down on the expression pedal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4.67″ x 3.68″ x 1.18″ (119mm x 94mm x 30mm)\u003c\/li\u003e\n\u003cli\u003eThe use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/Nh_P5JSQZ18?list=UUBHoPcJMiFe6CuVY2X7I0YQ\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Walrus Audio","offers":[{"title":"Default Title","offer_id":15313696686191,"sku":"WAL-DES","price":339.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/050c3d15a1af073e05f5d9a4eeb00d0c.jpg?v=1554439335"},{"product_id":"walrus-audio-janus-tremolo-fuzz","title":"WALRUS AUDIO Janus Tremolo\/Fuzz","description":"\u003cp\u003eThe Janus is a true bypass, dual joystick controlled Tremolo\/Fuzz pedal that allows you to create a landscape of distorted textures. Both the Tremolo and the Fuzz can be isolated and used alone, but can also be used together in series creating thick textures with a lot of movement. Each joystick has a separate X and Y axis that has designated controls. The Tremolo joystick controls the rate and depth while the Fuzz joystick controls the amount of fuzz and the tone. There are individual Volume controls for both effects and a Blend control for the Fuzz that allows the user to mix unaffected signal with the effected fuzz signal.\u003c\/p\u003e\n\u003cp\u003eThe joystick controls make the Janus a great option for guitars, vocals, keys, or tracks.\u003c\/p\u003e\n\u003cp\u003e9V DC - 7.38 x 4.70 X 2.75 inches\u003c\/p\u003e","brand":"Walrus Audio","offers":[{"title":"Default Title","offer_id":15313704976495,"sku":"WAL-JAN","price":339.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/53a4eeccc25580d59c73db52dbc48691.jpg?v=1554438108"},{"product_id":"wren-and-cuff-hangman","title":"WREN and CUFF Hangman","description":"\u003cp\u003eThe Boss HM-2 was laid to rest in 1991 when the last of the wannabe Marshall-amp in a box pedals rolled off the line…\u003cbr\u003e\u003cbr\u003eA puzzling pedal to some and downright hated by others, the funeral was not attended by many and met with a sigh of relief by those who loathed it’s buzz-saw brand of high-gain distortion. However there was a small group of loyal followers that grieved the death of this black and orange beast.\u003cbr\u003e\u003cbr\u003eDespite the drop in sales the pedal experienced causing Boss to cease production, a wide swath of bands gave the HM-2 a permanent residence on their pedal-boards. Swedish Death Metal legends like Entombed and Dismember had long ago made it an essential “always on” part of their setup while the Shoegazing bands from My Bloody Valentine to The Jesus and Mary Chain were using it to help craft their walls of distorted guitar noise chaos. Others saw it showing up under the feet of some of the most noted bands that emerged in the now historic grunge-wave of the nineties.\u003cbr\u003e\u003cbr\u003eEnter the Wren and Cuff Hang Man 2D, a detailed recreation of Boss’ “Heavy Metal” pedal.\u003cbr\u003e\u003cbr\u003eWith a circuit more complicated than many digital delays, and the ability for the average person to get an original HM-2 on ebay for pretty cheap, many may wonder why the hell we decided to remake this pedal.\u003cbr\u003eThe answer? Because I (Matt) wanted to. As with many of our recreations, it became an obsession and difficult task to really nail the tone. As usual, it went way beyond getting a schematic. It became a task requiring ears and hours.\u003cbr\u003e\u003cbr\u003eAlso, a hand-wired, hand-loaded, circuit board using 1\/4 watt metal film resistors instead of the 1\/8 watt carbon film on the original is a nice thing if you like this pedal. The noise floor becomes dramatically less, and colorful overtones become much more apparent. Add to that the usual Wren and Cuff luxuries of 100% mechanical, true hard-wired bypass, rugged all metal Alpha pots mounted directly to the chassis, a Modern and Vintage toggle switch, tough metal enclosure and gorgeous art work… And one can see the value of the Hangman 2 over the original.\u003cbr\u003e\u003cbr\u003e(*All of the references below apply to both the original HM-2 and our Hang Man 2D.)\u003cbr\u003eThis pedal can go from super compressed, tight, smooth distortion, to a snarling buzz-saw monster that brings out every pick-to-string strike you throw at it. Surprisingly though, one trait it does not possess is the extreme scoop to the mids many associate with “Heavy Metal.” One of the secrets to it’s tone is the somewhat strange configuration of it’s “color mix” section.\u003cbr\u003e\u003cbr\u003eThere is the “low” knob which functions as one would expect, and a high knob to help shape the tone. But the “high” knob is kind of an odd-ball in how it effects things. The high-mids are tied together so that the high knob is more of a upper-mids to treble control which can make getting great sounds out of it a bit tricky… but this is also the charm of it. It’s not a pedal all will turn on and immediately fall in love with. It’s a pedal that will make you search for the sweet spot between the pedal’s own crunch and the amp it’s being fed into.\u003cbr\u003e\u003cbr\u003eMany in the death-metal crowd dime everything, pummel the front end of a solid state or tube amp, then EQ the whole amp around the pedal. But most often the pedal’s output is pushed up hard enough to mesh with an amp’s natural distortion and the high knob jacked up enough to introduce the buzz-saw grind.\u003cbr\u003e\u003cbr\u003eIn other words, it’s tweaked until one finds the sweet spots lurking inside the Hang Man.\u003cbr\u003e\u003cbr\u003eDo an HM-2 search on you tube and you’ll see the difference between those who have learned the hidden tricks of the HM-2, and those who still need some schooling. You’ll hear some of the thickest most brutal sounds a pedal can produce, but you’ll also hear some of the worst “bee trapped in a jar” tones that would make anyone cringe.\u003cbr\u003e\u003cbr\u003eThen why recreate a pedal that isn’t instantly awesome to the average user? Because I love it when a seemingly simple pedal makes you get out a shovel and dig for the gold nuggets inside. These are the things no modeler can reproduce. However, the “D” in our HM-2D is there for a reason. It stands for “Deluxe” because of a few tweaks applied to the circuit to make the pedal even more fun.\u003cbr\u003e\u003cbr\u003eThere is a vintage\/modern switch that lets you to reconfigure the clipping diodes allowing you bounce between “stock” at one setting, and a less compressed more overdrive-meets-distortion sound as well as a boost to the output level.\u003cbr\u003e\u003cbr\u003ePick up the Hangman 2D if you dare, and learn why it kicks ass and doesn’t take names.\u003cbr\u003e\u003cbr\u003eBottom line…\u003cbr\u003e\u003cbr\u003eThis pedal F***ing Rocks.\u003c\/p\u003e\n\u003cp\u003eHear it!\u003c\/p\u003e","brand":"Wren And Cuff","offers":[{"title":"Default Title","offer_id":15313908400239,"sku":"WC-HM","price":259.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/b6f3be4146f0bae49d5a20484d918651.jpg?v=1554437973"},{"product_id":"zvex-loop-gate","title":"ZVEX Loop Gate","description":"\u003cp\u003eGating very complex sounds like fuzz and delay is always a challenge. The Loop Gate™ provides a loop switch with a built-in “perfect” audio gate (high headroom, no distortion, no hiss) that lets you set up a loop of pedals you can switch in and out of your signal path at will, but you have a couple of really fun options to control that loop that include a cross-fade “mix” option as well as creating tremolo-like sounds with “chop” mode. The beauty of introducing a loop into a noise gate is that the device looks at your guitar signal to see when you want to gate. It doesn’t even bother to look at the output from your loop of pedals... that is way too noisy to study. It’s much better to look at the incoming guitar signal to see what’s up, and that’s just what the Loop Gate™ does. The guitarist can have all sorts of crazy things happening in the loop without worrying that all of that sonic madness will trigger the gate.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrue Bypass\u003c\/li\u003e\n\u003cli\u003eGate Stomp Switch\u003c\/li\u003e\n\u003cli\u003e9V Battery\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ZVEX","offers":[{"title":"Default Title","offer_id":15314269012079,"sku":"ZV-LOOPG","price":239.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/9864664882b953b2742ffd3ea38651e3.jpg?v=1554438844"},{"product_id":"lollar-pickups-imperial-humbucker-neck-nickel-4-conductor","title":"LOLLAR PICKUPS Imperial Humbucker Neck Nickel 4-Conductor","description":"\u003cp\u003e\u003cspan\u003eCaptures the airy top end, tight lows, balanced midrange, and complex overtones of the best original PAF pickups. In reviews it is consistently given high marks for its balanced frequency response. Unbalanced coils keep the bottom end tight for the amount of fullness the pickups have, overtones build after each note is played. Alnico 2 magnets in the neck \u0026amp; alnico 5 magnets in the bridge are de-gaussed to specific levels, unique to the neck and bridge positions. Nickel silver pickup cover, single conductor braided shield wire-options available. Sold as singles or as sets.\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eNeck 7.6K, Bridge 8.4K\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Lollar","offers":[{"title":"Default Title","offer_id":15314399428719,"sku":"Lollar-Humb-Imp-N-Nickel","price":239.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/36be620da743ca245c84f1b87e767ded_68ba1d26-2510-4c02-86db-8dac8ece475d.jpg?v=1553157440"},{"product_id":"lollar-pickups-strat-blackface-bridge-parchment-flat-pole","title":"LOLLAR PICKUPS Strat Sixty-Four Bridge Parchment Flat Pole","description":"\u003cp\u003eJason Lollar’s fascination with guitar tones can be traced back to the sound of early-‘60s (pre-CBS) Strats\u003csup\u003e®\u003c\/sup\u003e. That was the benchmark he aimed for when creating our Sixty-Four\u003csup\u003e™\u003c\/sup\u003e Strat\u003csup\u003e®\u003c\/sup\u003e pickup. When you hear them, we think you’ll agree he hit the mark! You get prominent midrange and clear top end with a piano-like attack.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAvg. DC:\u003c\/b\u003e Neck 6.4K, Middle 6.5K, and Bridge 6.8K\u003c\/p\u003e\n\u003ch4\u003eFlat vs. Staggered Poles\u003c\/h4\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/www.lollarguitars.com\/strat-pickups\/flat-vs-staggered-poles.jpg\"\u003e\u003c\/p\u003e\n\u003cp\u003eAs their names suggest, flat-pole pickups have all of the individual pole pieces set at the same height, whereas with staggered-pole pickups the pole pieces are set at different heights. Staggered-pole pickups were originally created to compensate for heavier string gauges—particulary wound 3rd strings.\u003cbr\u003e\u003cbr\u003eIf you’re unsure which to choose, we typically recommend flat poles rather than staggered. In most cases, flat-pole pickups will give you better string balance, as well as a little more presence, bass and output.\u003c\/p\u003e","brand":"Lollar","offers":[{"title":"Default Title","offer_id":15314518245487,"sku":"Lollar-Strat-Blackface-B-Parch","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/670517d86bf5764517858bdf741d0907.jpg?v=1553157359"},{"product_id":"lollar-pickups-strat-blackface-middle-parchment-flat-pole","title":"LOLLAR PICKUPS Strat Sixty-Four Middle Parchment Flat Pole","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJason Lollar’s fascination with guitar tones can be traced back to the sound of early-‘60s (pre-CBS) Strats\u003csup data-mce-fragment=\"1\"\u003e®\u003c\/sup\u003e. That was the benchmark he aimed for when creating our Sixty-Four\u003csup data-mce-fragment=\"1\"\u003e™\u003c\/sup\u003e Strat\u003csup data-mce-fragment=\"1\"\u003e®\u003c\/sup\u003e pickup. When you hear them, we think you’ll agree he hit the mark! You get prominent midrange and clear top end with a piano-like attack.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAvg. DC:\u003c\/b\u003e Neck 6.4K, Middle 6.5K, and Bridge 6.8K\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eFlat vs. Staggered Poles\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/www.lollarguitars.com\/strat-pickups\/flat-vs-staggered-poles.jpg\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.lollarguitars.com\/strat-pickups\/flat-vs-staggered-poles.jpg\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs their names suggest, flat-pole pickups have all of the individual pole pieces set at the same height, whereas with staggered-pole pickups the pole pieces are set at different heights. Staggered-pole pickups were originally created to compensate for heavier string gauges—particulary wound 3rd strings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf you’re unsure which to choose, we typically recommend flat poles rather than staggered. In most cases, flat-pole pickups will give you better string balance, as well as a little more presence, bass and output.\u003c\/p\u003e","brand":"Lollar","offers":[{"title":"Default Title","offer_id":15314522374255,"sku":"Lollar-Strat-Blackface-M-Parch","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/670517d86bf5764517858bdf741d0907_2389f53f-9799-4a9b-808d-f38b34954c3f.jpg?v=1553146334"},{"product_id":"lollar-pickups-strat-blonde-bridge-parchment-flat-pole","title":"LOLLAR PICKUPS Strat Blonde Bridge Parchment Flat Pole","description":"\u003cp\u003e\u003cspan\u003eOur Vintage Blonde Strat style pickups are bright but smooth. Scooped midrange, full bass with smooth attack, medium low output sounds glassy, chimey, spanky. Play soft and get round, smooth tone; hit it hard and the attack and treble will come forward in the mix. Works well with overdrives. Alnico 2 flat poles, scattered wound, wax potted coils. Vintage style cloth covered lead wire. Middle is RWRP for humbucking operation in positions 2 and 4. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: red;\"\u003eDirty Blonde Sets feature the same great neck and middle pickups, but with our Special S bridge substituted for a thicker bridge tone with a bit more output.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eNeck 5.6K, Middle 5.8K, Bridge 6K\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Lollar","offers":[{"title":"Default Title","offer_id":15314537611375,"sku":"Lollar-Strat-Blonde-B-Parch","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/670517d86bf5764517858bdf741d0907_c06e3a25-d12d-41a2-a735-1219294ee280.jpg?v=1553157337"},{"product_id":"lollar-pickups-strat-blonde-middle-parchment-flat-pole","title":"LOLLAR PICKUPS Strat Blonde Middle Parchment Flat Pole","description":"\u003cp\u003e\u003cspan\u003eOur Vintage Blonde Strat style pickups are bright but smooth. Scooped midrange, full bass with smooth attack, medium low output sounds glassy, chimey, spanky. Play soft and get round, smooth tone; hit it hard and the attack and treble will come forward in the mix. Works well with overdrives. Alnico 2 flat poles, scattered wound, wax potted coils. Vintage style cloth covered lead wire. Middle is RWRP for humbucking operation in positions 2 and 4. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: red;\"\u003eDirty Blonde Sets feature the same great neck and middle pickups, but with our Special S bridge substituted for a thicker bridge tone with a bit more output.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eNeck 5.6K, Middle 5.8K, Bridge 6K\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Lollar","offers":[{"title":"Default Title","offer_id":15314544033903,"sku":"Lollar-Strat-Blonde-M-Parch","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/670517d86bf5764517858bdf741d0907_67592ad7-ded8-4631-8fc0-35a3adb3ea81.jpg?v=1553143874"},{"product_id":"lollar-pickups-strat-special-middle-parchment-flat-pole","title":"LOLLAR PICKUPS Strat Special Middle Parchment Flat Pole","description":"\u003cp\u003e\u003cspan\u003eOur Special S Series offers a higher output Strat® pickup design with a deep thick tone, round highs, and smooth bottom that approaches a \"Gibsonish\" attack and sustain. Less quack than other, lower output strat pickups when in positions 2 and 4. Output is noticeably higher and will break up most amps a little faster and harder than typical Strat pickups. Vintage style cloth covered lead wire. Middle is RWRP for humbucking operation in positions 2 and 4.\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eNeck 6.7K, Middle 7.1K, Bridge 7.6K\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Lollar","offers":[{"title":"Default Title","offer_id":15314556682351,"sku":"Lollar-Strat-Special-M-Parch","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/670517d86bf5764517858bdf741d0907_e89d227f-47b3-454d-86f3-176dcfc615f8.jpg?v=1553144716"},{"product_id":"lollar-pickups-strat-tweed-middle-parchment-flat-pole","title":"LOLLAR PICKUPS Strat Tweed Middle Parchment Flat Pole","description":"\u003cp\u003e\u003cspan\u003eLollar Vintage Tweed pickups are very clean and \"stratty,\" light on bass and mids, lots of \"quack.\" Great for overdrives with extra mids, or diming out a smaller amp. Tone will not get muddy under heavy distortion. Low output will not make many vintage amps distort more than a mild clipping. Alnico 2 flat poles, scatter wound, wax potted coils. Vintage style cloth covered lead wire. Middle is RWRP for humbucking operation in positions 2 and 4.\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eNeck 4.9K, Middle 5.3K, Bridge 5.7K\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Lollar","offers":[{"title":"Default Title","offer_id":15314579292271,"sku":"Lollar-Strat-Tweed-M","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/670517d86bf5764517858bdf741d0907_cb7488e0-7e41-4786-a791-083e08724b8d.jpg?v=1553151286"},{"product_id":"lollar-pickups-tele-regal-humbucker-bridge-chrome","title":"LOLLAR PICKUPS Tele Regal Humbucker Bridge Chrome","description":"\u003cp\u003e\u003cspan\u003eAfter several years of research (and debating if the cost of tooling would be worth it), we've come up with our version of the classic \"wide range\" humbucker. They are fat and clear, with a nice top end sparkle. Great note bloom, with a vocal midrange that never sacrifices note definition. The originals had the same winding specs for the neck and bridge—ours vary a little for better volume and tone balance. We make custom sized bobbins in our shop, with the covers, base plates, and lead and magnet wire made to spec for us in the US. They have the same footprint as the originals—perfect for your Tele Customs and Deluxes! Chrome, nickel or gold (Gold pole pieces not available) covers. Available in singles or sets. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan style=\"color: red;\"\u003ePlease note:\u003c\/span\u003e The Regal is a \u003cspan style=\"color: red;\"\u003ecustom sized pickup.\u003c\/span\u003e It is larger than a standard humbucker, and uses a different mounting pattern. It will not fit into a standard humbucker rout, or use standard humbucker mounting rings.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e10.7K Neck and Bridge\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Lollar","offers":[{"title":"Default Title","offer_id":15314622021743,"sku":"Lollar-Tele-Regal-HB-B","price":279.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/900ac8b126d3410786335162071f9867.jpg?v=1553154480"},{"product_id":"lollar-pickups-tele-regal-humbucker-neck-chrome","title":"LOLLAR PICKUPS Tele Regal Humbucker Neck Chrome","description":"\u003cp\u003e\u003cspan\u003eAfter several years of research (and debating if the cost of tooling would be worth it), we've come up with our version of the classic \"wide range\" humbucker. They are fat and clear, with a nice top end sparkle. Great note bloom, with a vocal midrange that never sacrifices note definition. The originals had the same winding specs for the neck and bridge—ours vary a little for better volume and tone balance. We make custom sized bobbins in our shop, with the covers, base plates, and lead and magnet wire made to spec for us in the US. They have the same footprint as the originals—perfect for your Tele Customs and Deluxes! Chrome, nickel or gold (Gold pole pieces not available) covers. Available in singles or sets. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan style=\"color: red;\"\u003ePlease note:\u003c\/span\u003e The Regal is a \u003cspan style=\"color: red;\"\u003ecustom sized pickup.\u003c\/span\u003e It is larger than a standard humbucker, and uses a different mounting pattern. It will not fit into a standard humbucker rout, or use standard humbucker mounting rings.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e10.7K Neck and Bridge\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Lollar","offers":[{"title":"Default Title","offer_id":15314626969711,"sku":"Lollar-Tele-Regal-HB-N","price":279.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/900ac8b126d3410786335162071f9867_302241be-a924-4b2c-a824-7ad10c514d21.jpg?v=1553155756"},{"product_id":"union-tube-transistor-beelzebuzz","title":"UNION TUBE \u0026 TRANSISTOR Beelzebuzz","description":"If evil distortion is what you're after, the The Union Tube \u0026amp; Transistor Beelzebuzz is what you need. With one knob, you can control the volume and signal control with ease to get the sound you're looking for. This boutique distortion pedal was designed and manufactured in East Vancouver, BC with utmost attention to detail. Pick one up - you won't be disappointed with the Beelzebuzz!","brand":"Union Tube and Transistor","offers":[{"title":"Default Title","offer_id":15315856130159,"sku":"UT-BEE","price":319.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/379f24d0bd0e30609e84a6cce30231ca.jpg?v=1554439123"},{"product_id":"free-the-tone-efs-4-footswitch-for-arc-3","title":"FREE THE TONE EFS-4 Footswitch for ARC-3","description":"The FREE THE TONE “EFS-4” is a custom product to be used with the ARC-3 and is manufactured to order when assembling rack systems\/pedal boards for professional artists. Each time we upload system pictures of artists on our Facebook or Twitter page, many of the viewers send us requests to make this footswitch unit available to them. Now, in response to these requests, we are pleased to announce that we will start manufacturing the EFS-4 to order.\u003cbr\u003eConnected to the E1–E4 terminals on the ARC-3, the EFS-4 allows the user to recall Program Presets PS8, PS9, and PS10 (initial configuration) which cannot be recalled from the main unit. 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This along with a full frequency range means that the GC-2 Limiting Amplifier compressor is well suited for guitar, keyboards, drum machines and, really, anything you can throw at it. The Keeley GC-2 Limiting Amplifier is both musical and transparent.  Where our older compressors were based on the CA3080 or the LM13700 and are perfect for that “Compressor Effect” and are still in use by tens of thousands of players, the new Keeley GC-2 is a different style compressor, aimed at being the ultimate in low noise and transparency.  Not only can it handle astonishingly large signals, but it has an incredible bandwidth of over 20 KHz.  No detail in your guitar’s tone will be lost.  The Keeley GC-2 will be a sound investment in your tone–you now have genuine rack-mount quality at your feet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompression and Threshold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen musicians use the new Keeley Compressor GC-2, they will be greeted with a sound that is more easily amplified and heard.  Using the effect as a \u003cem\u003elimiting amplifier\u003c\/em\u003e saves your speakers from clipping and distortion.  Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers.  Simply watch the Threshold Indicator light to see what type of playing you want to limit; 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ATTACK Time for quick attack 10-50ms and THRESHOLD Control set to give you 9-12dB of Gain Reduction\/Compression on the 7-Segment COMPRESSION LED Array.  This will typically give you compression artifacts or effects like a breathing or pumping sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBASS BOOM AND SLAP\u003c\/strong\u003e – For a punchy bass guitar sound set the Comp Pro for a medium to high Compression RATIO (6:1 to 10:1) and adjust the THRESHOLD so that the -12dB and sometimes -20dB COMPRESSION LEDs are lit while playing.  Set KNEE to Hard mode.  That will make the bass punchy and slap a bit harder, reducing boominess.  Try Soft KNEE for a a different feel.  Set AUTO On.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePREVENT DIGITAL DISTORTION\u003c\/strong\u003e – Set Keeley Compressor Pro as a \u003cstrong\u003e\u003cem\u003eHard Limiter\u003c\/em\u003e\u003c\/strong\u003e by turning RATIO control all of the way up to Infinity to One compression ratio.  Set KNEE for Hard. By adjusting the final Gain level to your clipping lights on the digital recorder, you can insure you won’t ruin recordings or get unwanted distortions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPEAKER PROTECT (Concerts, Churches, Sound Systems and P.A.s)\u003c\/strong\u003e – You can use the compressor as above as a Hard Limiter.  If when playing you hear distortions from your sound reinforcement equipment you can reduce the THRESHOLD, increase RATIO, and reduce GAIN to achieve perfect results.  This is where it might be nice to use your Keeley Compressor Pro as the last effect in your signal chain as it can prevent different effects from getting too loud or being added together to drastically increase output volume.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNEVER LEAVE HOME WITHOUT YOUR KEELEY COMP PRO\u003c\/strong\u003e – The Compressor Pro makes the perfect booster or driver for your rig!  You can always set the RATIO control for 1:1 compression (otherwise known as No Compression) and use the GAIN to push your amp, pedals, speakers, or other guy out of the way!  Once you have learned your new Comp Pro there will never be a reason not to use it.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4juGXEpke7I\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":15317233565807,"sku":"KEE-COMP-PRO","price":409.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/99b0fcdda8476296cc2c1d97e9021318.jpg?v=1553149780"},{"product_id":"keeley-aurora-reverb","title":"KEELEY Aurora Reverb","description":"\u003cp\u003eTurn down the lights, turn up the spectrum…\u003c\/p\u003e\n\u003cp\u003eJoin Keeley Electronics’ grand entrance into the hallowed halls of psychoacoustic processing–the Aurora Reverb. From the distant echo of cathedrals to 600 pound sheet-metal plate vibrations to spring reverb coils in a tank, reverb captures our imaginations and plunges us deeply into our musical psyches.  Few effects complement a guitar better than reverb.\u003c\/p\u003e\n\u003cp\u003eAt Keeley Electronics, the Aurora Reverb had to meet certain specific criteria. It had to be affordable with no compromise to audio quality. It had to be easy for guitarists to use and be inspiring. And it had to offer the essentials for tailoring your tone without a dozen knobs to learn. Now achieved, we are proud to offer a true bypass, 100% dry analog path, low noise, 24 bit, high-fidelity reverb processor. AND IT SOUNDS GREAT! In fact, when asked if it offered “trails,” I couldn’t help but think, why do you need trails for a pedal you won’t want to turn off?\u003c\/p\u003e\n\u003cp\u003eThe following controls offer everything from pristine fast reflections to ethereal spaces to deep, dark, and endless caverns.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDecay:\u003c\/strong\u003e Decay controls the amount of time it takes for the reverberated sound to disappear. Ours provides a range from a realistic, close-quarters reverberated dimension to a walk-away-and-come-back signal of complex, still-ringing musical reflections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSlapback\u003c\/strong\u003e: Slapback is what we call predelay. Predelay creates distance. How soon or late you hear the first reflection is crucial to crafting the reverberated space. Sometimes you do not want any delay between your note and the reverb. And sometimes, for clarity’s sake, you want the reverb to wait a moment before joining the dry signal. Such a setting would enable short, staccato, single-syllable type expressions to finish articulating before being suffused AND being joined by the tail-end of previously reverberated sounds. But when the illusion of infinite space is required, set your Slapback to zero and you’ll streak vividly away like Dr. David Bowman breaking free of Jupiter’s gravitational pull. The Keeley Aurora Slapback setting provides you with a sufficient range of time, from zero milliseconds to 100 milliseconds, ample time considering a pedal-board footprint this small.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarmth:\u003c\/strong\u003e Dial up the warmth. Opposite to most tone controls, ours increases the warmth, as it is a dampening control. Its brightest setting is when completely dialed down.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlend:\u003c\/strong\u003e Blend will take your 100% analog dry signal and blend in the reverb, from just the slightest mix of wet to much more. Because the Keeley Aurora Reverb is a pedal-board unit, we suggest you place it at the end of your pedal chain and use the Blend Knob to tailor your sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Toggle Switch:\u003c\/strong\u003e The three most popular reverb styles that don’t come built into your amplifier are Room, Plate, and Hall. In the smallest footprint possible, we offer what used to take up entire city blocks or an entire studio room. You can achieve cathedral resonance, enormous surface areas of sheet-metal plate sounds, or convincing room decays. Room sizes range from something like a broom closet to that of a barn. (And I also want to add that careful adjustments to the Room settings yield a signal bordering on the verge of spring reverb, so if your amp doesn’t already have a tank, we’ve got you covered.)\u003c\/p\u003e\n\u003cp\u003eAll in all, the Keeley Aurora Reverb promises to provide the essentials guitarists are looking for when they need reverb on their pedal boards. Like that ethereal glow to the mighty Earth herself, Aurora creates a natural halo of sound in the atmosphere of your magnificent core tone.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ykDROBh57Go\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":15317236056175,"sku":"KEE-AURORA","price":259.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/e3dab221119f10b5bcaab96317e202ab.jpg?v=1553144393"},{"product_id":"keeley-dyna-trem-dynamic-tremolo","title":"KEELEY Dyna Trem Dynamic Tremolo","description":"\u003cp\u003eEasily our most addictive Vibe tone!\u003c\/p\u003e\n\u003cp\u003eThe DynaTrem Dynamic Tremolo by Keeley Engineering is an all new type of tremolo that is dynamic and responsive to your playing.   Your playing controls the Rate and Depth.  The harder you play, the more it responds.  Play softly and it relaxes.  Set the sensitivity with Rate or Depth controls and you have an unparalleled ability to be expressive with your guitar and tremolo.\u003c\/p\u003e\n\u003ch3\u003eTone Trio – Three Modes\u003c\/h3\u003e\n\u003cp\u003eDynamic Rate – Your playing strength controls the Rate.  The harder you play, the faster it modulates!  Relax and play softly and the tremolo almost stops.\u003c\/p\u003e\n\u003cp\u003eDynamic Depth – Play gently and it just barely throbs.  Play aggressively and it and pulse hard and deep.\u003c\/p\u003e\n\u003cp\u003eHarmonic Tremolo + Reverb Mode.  Yes that phaser\/vibey, soulful and sweet sound!  We have crafted our own circuits to give you a sound that is sinfully good.  Slippery and smooth, you won’t want to gig without it. Add Reverb by adjusting the SHAPE control\u003c\/p\u003e\n\u003ch3\u003eWave Table\u003c\/h3\u003e\n\u003cp\u003eWith a spin of the SHAPE control you get 4 wave-forms:  Ramp Up, Sine Wave, Ramp Down, and Square Wave.\u003c\/p\u003e\n\u003cp\u003e4th Mode! All DynaTrems after serial number 300 have a hidden feature mode: Stadard Tremolo  Turn the Shape knob all of the way down and it become a standard triangle wave tremolo in the Delta Rate or Delta Depth modes.  Call us for a free upgrade if yours does not have this feature.\u003c\/p\u003e\n\u003cp\u003eOr, when in Harmonic Tremolo Mode the Shape control is Reverb!\u003c\/p\u003e\n\u003ch3\u003eOther Features\u003c\/h3\u003e\n\u003cp\u003eIntegrated noise reduction – developed with the code to reduce noise swells common with tremolo circuit, you get the quietest effect possible.\u003c\/p\u003e\n\u003cp\u003eOutput Volume Control – Can be set for a boost for stand out effect.\u003c\/p\u003e\n\u003cp\u003eTrue-Bypass – No tone loss when off\u003c\/p\u003e\n\u003cp\u003eBattery Free – Any standard 9 volt, negative tip power supply will work, like a Voodoo Lab Pedal Power II.  60mA or greater.\u003c\/p\u003e\n\u003cp\u003eKeeley Engineered – Decades of audio experience and design.\u003c\/p\u003e\n\u003cp\u003eThe DynaTrem Dynamic Tremolo features killer graphics!  Looks like an old tube amp or old tube radio.  Tone to match too!\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AILQY9bJxSI\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":15317243396207,"sku":"KEE-DYNATREM","price":279.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/keeley-dynatrem.jpg?v=1553158257"},{"product_id":"mastery-bridge-m4-1-tele-w-chrome-plated-brass-saddles-for-bigsby","title":"MASTERY BRIDGE M4.1 - Tele w\/ Chrome Plated Brass Saddles for Bigsby","description":"\u003cp\u003e\u003cspan\u003eMade especially for Bigsby B5 users that have a standard Tele (4) wood screw vintage footprint. Strings glide smoothly over our patented hard chrome-plated brass saddles without pinching. Includes four 18-8 stainless steel oval #6 screws.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThousands have experienced the sonic benefits our patented saddle system has made to their Offset series Fender guitars. With around 50 lbs of string pressure bearing down on two saddles, string energy is utilized unlike any other bridge available. Now, Standard Tele owners can experience the Mastery Bridge difference. Hear what it does for yourself.\u003c\/p\u003e\n\u003cp\u003eThe patented Mastery Bridge is crafted and assembled in Minneapolis, MN, using the finest materials available. Each individual bridge is inspected and tested on a guitar before being shipped to you, to ensure the best possible performance. Every part of our bridge is made of the highest quality, non-corrosive materials to protect against any rust. Because we are currently such a small shop, the Mastery Bridge is only available through this website and is not available through any other online source or retailer. Please look over the descriptions of the various parts that go into the Mastery Bridge below. Easy step-by-step installation instructions for our original offset bridge can be found here.\u003c\/p\u003e\n\u003cp\u003eHard Chrome Plated Saddles\u003c\/p\u003e\n\u003cp\u003ePlain-steel and stainless-steel saddles eventually wear grooves into the saddle with vibrato use and can cause string breakage. A steel string on a steel saddle generates heat with heavy vibrato use, and that heat will expand the metal in your string and cause it to go out of tune. We use brass for our saddles, a softer, warmer-sounding metal, but plate them with a unique hard chrome plating not found on any other guitar bridge.\u003cbr\u003eHard chrome plating is commonly used to reduce friction and increase wear resistance in parts like piston rings, hydraulic cylinders and bearing surfaces. It generates far less heat with vibrato use and your strings stay better in tune. Although much more expensive to manufacture than plain steel or “decorative chrome” found on other bridges, our saddles’ unique hard chrome-plating aids in lubricity while tuning or actuating the vibrato of an Offset or Bigsby-equipped guitar, ensuring years of consistent performance and accuracy. No other bridge manufacturer uses a plating this durable.\u003c\/p\u003e\n\u003cp\u003eHardware\u003c\/p\u003e\n\u003cp\u003eAll of the screws on our bridges are made from either 18-8 or 316 solid stainless steel. The springs are made from 302 solid stainless steel.\u003cbr\u003eAbsolutely no nylon plastic parts are used as components on our bridge.\u003c\/p\u003e\n\u003cp\u003eMastery Saddles\u003c\/p\u003e\n\u003cp\u003eThe multi-patented Mastery Bridge features a unique saddle design not found on any previous guitar bridge. On the 52mm string spacing from E to E, four intonation-adjustment screws are used instead of six, allowing the string to freely go from the saddle to the vibrato without any chance of interference from the front of an intonation screw or back of a baseplate. Each saddle features two drop-in stainless swivels, permitting each of the individual intonation adjustment screws to work independently for precise intonation. The deep saddle string grooves ensure that your strings will never “pop-out” during performance and are slightly fanned out on each end. Instead of around 18 lbs of string tension bearing down on an individual saddle as found on most bridges, our bridge applies over 50 lbs of downward string tension on each saddle. This added tension forced downward transfers more string-to-body energy, which you’ll hear in your guitar acoustically as well as amplified. The saddles accommodate the heavy-gauge strings of Bass VI model guitars and can be used on left-handed guitars as easily as right-handed.\u003c\/p\u003e\n\u003cp\u003eAdjustable\u003c\/p\u003e\n\u003cp\u003eThe Mastery Bridge features precisely-curved adjustable saddles that allow you to effortlessly set-up to any common fingerboard radius, from 7.25\" onward. Although guitar manufacturers will CNC radius fingerboards to certain specs, it’s the top of the fret that matters and should be measured, and that can change\/vary overtime due to slight unevenness and eventual playing wear. Different climactic conditions can move the wood of your neck and not the frets, and depending on how malleable your fretwire is it will move or not move with it, causing slight unevenness. Varying string thickness will also affect the top of the string radius; depending on the thickness of your strings you’ll want to adjust to them accordingly. Heavy-handed players also like our adjustable saddle design because they can easily raise the bass side of the strings slightly for hard-hitting. The saddles eliminate annoying “buzzing” or rattle associated with previous single saddle bridge designs. An adjustable saddle bridge like ours is important for slight tweaking on first install and in the long run.\u003c\/p\u003e\n\u003cp\u003eTele Baseplate\u003c\/p\u003e\n\u003cp\u003eOur Tele baseplate is CNC water-cut from a solid 304 stainless steel sheet and stamped with our tooling to the specified profile. Our pickup cavity is undersized in tooling and then CNC’d to spec, thus eliminating any unwanted “flange” on the backside and creating a solid, flat surface. Each one is then tumbled to de-burr and break any sharp edges. Our logo is CNC engraved, followed by a series of hand straight-line sanding and bead-blasting. The area above the pickup is buffed to a mirror finish. Our baseplates blend well aesthetically on both vintage and new guitars and are intended for Telecasters with a (4) hole vintage footprint.\u003cbr\u003ePlease note: We currently do not offer American Standard or other style baseplates for the Tele Mastery Bridge. We do not offer the Offset Bridge with brass saddles and do not sell saddles individually. Brass saddles on any bridge will succumb to string wear over time and our brass saddle option Tele bridge (M3) is not warrantied against this sort of natural wear.\u003c\/p\u003e\n\u003cp\u003eOur Tele saddles are the same as above, but with the bridge option of either electroplated brass saddles and swivels (M3 Bridge) or hard chrome-plated brass and stainless steel swivels (M4 Bridge).\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eNOTE: Not compatible with Tele Vibramate Bigsby Bridges.\u003c\/i\u003e\u003c\/p\u003e","brand":"Mastery","offers":[{"title":"Default Title","offer_id":15317517107311,"sku":"MAST-M4.1","price":309.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/965e3c00f57a6a6e37333689b4e91092.jpg?v=1553143843"},{"product_id":"mastery-bridge-m7-hardtail-tele-w-chrome-plated-brass-saddles","title":"MASTERY BRIDGE M7 - Hardtail Tele w\/ Chrome Plated Brass Saddles","description":"The M7 Hardtail Bridge features the same solid brass saddles as our M6, but with our unique hard chrome plating not found on any other guitar bridge. Fits guitars originally equipped with a vintage Tele footprint, (4) wood screw design. Includes four 18-8 stainless steel oval #6 screws. Please make sure your guitar has this footprint before ordering. Our (3) wood screw hardtail bridge footprint will be out by April.","brand":"Mastery","offers":[{"title":"Default Title","offer_id":15317534572655,"sku":"MAST-M7","price":269.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/280e98bf92bee8fd608684ef80f9dda8.jpg?v=1553161498"},{"product_id":"greer-amps-sucker-punch","title":"GREER AMPS Sucker Punch","description":"\u003cp\u003eThe Sucker Punch Distortion is what happens when Nick decides to design a high gain pedal. This pedal uses a JFET preamp to drive a 386D chip amp section. The gain that is on tap is reminiscent of some of the early JCM amps, with tons of volume on tap, and a tone control that has a very wide sweep, from thick to cutting. If you're looking for JCM type tones, this pedal will get you the gain you're looking for, and will help you cut through the mix, to get above your loud drummer!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFace melting tone!\u003c\/li\u003e\n\u003cli\u003eJFET gain stage driving chip amp section!\u003c\/li\u003e\n\u003cli\u003eJCM-amp type distortion!\u003c\/li\u003e\n\u003cli\u003eHuge amount of volume on tap!\u003c\/li\u003e\n\u003cli\u003eWide tone sweep, for thick or cutting settings!\u003c\/li\u003e\n\u003cli\u003eTrue Bypass!\u003c\/li\u003e\n\u003cli\u003eUses 9Volt battery or standard neg. center, 2.1mm power supply.\u003c\/li\u003e\n\u003cli\u003eBuilt with top quality components.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/UeK20c6gT5s\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Greer Amps","offers":[{"title":"Default Title","offer_id":15317841084527,"sku":"GREER-SUCKER","price":179.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/a7240e19bf3d7e4bb4c94ca06bb3e712.jpg?v=1553142491"},{"product_id":"greer-amps-tarpit-ic-fuzz-machine","title":"GREER AMPS Tarpit IC Fuzz Machine","description":"\u003cp\u003eThe TarPit Integrated Circuit Fuzz Machine is the newest release from Greer Amps. This pedal was created out of the desire to have the sound and feel of a vintage Muff style fuzz, with grit, and grind that will sustain for days. Based on the vintage Big Muff Pi variant that utilizes two integrated circuits, with some Greer Amps tweaks (\u003cspan\u003enot\u003c\/span\u003e the standard 4 transistor version), the Tarpit has all of the sounds that one might expect from a Muff style fuzz, and so much more.\u003c\/p\u003e\n\u003cp\u003eThe Tarpit is built in a rugged powdercoated aluminum enclosure, with printed graphics, designed by Nick DePartee (an awesome graphic designer, and former guitarist for the band Kutless). We chose the most awesome metallic blue powdercoat color that we could track down, and had the graphics set in black and white. The Tarpit features custom Oxblood control knobs by Davies (these knobs are currently available in a limited supply).\u003c\/p\u003e\n\u003cp\u003eWith the Sustain control set low, the Tarpit can get dark, and spitty, with a low gain, almost gated feel. Increasing the Sustain control has a double effect—the Tarpit gets slightly brighter, and the fuzz, sustain, and harmonics all increase. The wide sweep tone control brings a new level of versatility to the Tarpit. Turning the tone control down cuts treble, and boosts bass frequencies; setting the tone control in the middle, or slightly above, allows for full guitar and bass frequencies to come out. If you want to get really crazy, push the tone control higher, and you’ll get into some AM radio type frequencies. The volume control utilizes a slightly later taper on the potentiometer. We did this in an effort to allow the user to get their awesome sustain and fuzz at lower volumes when needed…never fear, though, the Tarpit can get as loud as you need it to!\u003c\/p\u003e\n\u003cp\u003eThe Tarpit can run off of a battery, or a standard 2.1mm, negative center pin power supply. We placed the in and out jacks along the top of the pedal, as well as the DC jack, in an effort to help with pedalboard layout. The output jack is closest to the volume control.\u003c\/p\u003e\n\u003cp\u003eThe Tarpit features Greer Amps’ lifetime warranty, to the original owner, and is built like a tank. We utilize a custom fabricated board that is over engineered, so that you don’t have to worry about your pedal letting you down. The two integrated circuits are mounted in chip sockets, so if anything ever happens to the chips, they can easily be replaced.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eON TOUR AND IN STUDIO WITH DWEEZIL ZAPPA, \u003c\/span\u003e\u003cspan\u003eJIMBO HART (BASS PLAYER FOR JASON ISBELL), \u003c\/span\u003e\u003cspan\u003eLAUR JOAMETS (GUITARIST FOR STURGILL SIMPSON), AND MANY MORE!\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVintage Muff tones, ranging from spitty fuzz to over the top sustain!\u003c\/li\u003e\n\u003cli\u003eWide sweep tone control, for boosted bass tones, or peaked out highs!\u003c\/li\u003e\n\u003cli\u003eBased on a rare, vintage Big Muff Pi, utilizing two IC's, instead of the normal transistorized version!\u003c\/li\u003e\n\u003cli\u003eBeautiful blue metallic powdercoated enclosure!\u003c\/li\u003e\n\u003cli\u003eBlack and white printed graphics, designed by Nick DePartee (former guitarist for Kutless)!\u003c\/li\u003e\n\u003cli\u003eLimited Oxblood colored Davies control knobs!\u003c\/li\u003e\n\u003cli\u003eHand wired in Athens, GA!\u003c\/li\u003e\n\u003cli\u003eTrue Bypass!\u003c\/li\u003e\n\u003cli\u003eUses 9Volt battery or standard neg. center, 2.1mm power supply.\u003c\/li\u003e\n\u003cli\u003eBuilt with top quality components.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7f1KYo_AKeo\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Greer Amps","offers":[{"title":"Default Title","offer_id":15317858451567,"sku":"GREER-TARPIT","price":269.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/greer-tarpit.jpg?v=1553154629"},{"product_id":"skreddy-pedals-cephalopod","title":"SKREDDY PEDALS Cephalopod","description":"\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eThe Skreddy Pedals™ \u003cem\u003eCephalopod\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e is not a troublesome or ill-tempered octave effect. It does not require you to roll back your guitar's tone knob in order to track your notes. Dig in and let it fly! Best pure octave results are achieved using your neck pickup and playing up around the 12th fret region, but you might enjoy using it on chords and riffs with your bridge pickup, too.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\" style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000; font-size: large;\"\u003e\u003cstrong\u003eOctave You Don't Have to Work For\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\" style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003eNot nasty or clangy sounding; just pure octave-up driven by a warm, sustaining germanium fuzz. Super easy learning curve; clean up your picking technique a little bit, and you're in business.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\" style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003eFeatures a silicon impedance-matching input stage which makes it play nice anywhere in your signal chain and lets the germanium fuzz sing regardless of buffers, etc.\u003c\/span\u003e\u003c\/p\u003e","brand":"Skreddy Pedals","offers":[{"title":"Default Title","offer_id":15318178398319,"sku":"SKR-CEPH","price":229.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/d372bcf28094da51a94258c83201a191.jpg?v=1553153756"},{"product_id":"one-control-tri-loop","title":"ONE CONTROL Minimal Series Tri Loop","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTwo effect loops in one compact pedal. At One Control, we produced a loop box with two simple operations under the theme of “compact, simple, and easy to use,” and it has been very well received. The Black Loop and White Loop have been made even simpler, and are the new incarnation of the Minimal Series.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e One Control has secured even more functionality, and developed a 2-loop box that exists on a whole new level of effect tools. Introducing the One Control Tri Loop.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eIn addition to the Black Loop and White Loop function, a BJF Buffer was installed. We also gave it the ability to control various devices and act as a sort of control tower. So there is the Black, White, and control tower functions. These three elements are expressed in the name, Tri Loop, and are proof of this monumental achievement of a 2 loop box.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"paragraph\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eSize: 118Wx64Dx50H mm \/ 4.65Wx2.52Dx1.96H In.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eWeight: 250g \/ 8.8 oz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003ePower: 100mA\u003c\/span\u003e\n\u003c\/div\u003e","brand":"One Control","offers":[{"title":"Default Title","offer_id":15318281945199,"sku":"ONE-TRI","price":149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/one-control-minimal-triloop.jpg?v=1676427894"},{"product_id":"death-by-audio-waveformer-destroyer","title":"DEATH BY AUDIO Waveformer Destroyer","description":"\u003cp\u003e\u003cspan\u003e8 Different internally customizable distortions selectable by a combination of 4 foot switches. Once selected via internal DIP switches the fuzz's are always the same so you can go back time and time again on your favorite fuzz sounds. This gives you a ton of fuzz, overdrive, distortion sounds you will become addicted to.\u003c\/span\u003e\u003c\/p\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":15318882418799,"sku":"DBA-WAVE","price":349.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/c0fa643e6b065449309da7d249951aa4.jpg?v=1553149896"},{"product_id":"recovery-effects-bad-comrade-mkii","title":"RECOVERY EFFECTS Bad Comrade V3","description":"\u003cp class=\"paragraph_style_1\"\u003e(Glitch, Pitch, Slice and Dice)\u003c\/p\u003e\n\u003cp class=\"paragraph_style_1\"\u003eNEW! Now available in a red enclosure.\u003c\/p\u003e\n\u003cp class=\"paragraph_style_1\"\u003eIs is a distortion pedal? Is it a ring modulator? Delay? Call it the Bad Comrade, the world’s first hand-wired glitch, pitch, slice and dice pedal. For the adventurous guitarist (or anyone wielding a 1\/4” jack) that craves unthinkable tones, the Bad Comrade lets you distort, modulate, glitch and slice on the fly.\u003c\/p\u003e\n\u003cp class=\"paragraph_style_2\"\u003eThe Bad Comrade is hand wired in Seattle, Washington. True bypass, chrome plated LED, lead-free solder.\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"style_5\"\u003eIt operates on a standard Boss style 9vdc power supply (not included).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"paragraph_style_2\"\u003e\u003cspan class=\"style_5\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/aWgkh2iufVI\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Recovery Effects","offers":[{"title":"Default Title","offer_id":15319252205679,"sku":"RECOVERY-BADCOMRADE","price":259.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/recovery-badcomrade-red.jpg?v=1670323154"},{"product_id":"recovery-effects-cutting-room-floor","title":"RECOVERY EFFECTS Cutting Room Floor V3","description":"\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003e\u003cb\u003e\u003cspan\u003e(Vintage Reel-to-Reel Tape, Echo, and Stutter)\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003eThe Cutting Room Floor has been updated and now has separate controls over the saturation of the input signal and tape delay signal. With this change, it’s possible to have any amount of emulated tape saturation on the input signal and an adjustable tape delay level.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003eHoused in a smaller, compact footprint, the Cutting Room Floor V3 provides beautifully marred saturated tape tone and ethereal repeats. Imagine an abandoned factory with a fluttering tape machine left on infinite replay.\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003eThe Cutting Room Floor was designed to emulate the sound and functionality of vintage reel-to-reel tape overdrive and echo. This pedal reaches into the 21st century with characteristics that traverse the world of modulation and delay. Other features include a freeze button that traps a tone while still playing, and expression\/CV control for time.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003e- 150ma current draw\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003e.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003e\u003cspan\u003eDesigned and assembled in Seattle, Washington.\u003c\/span\u003e\u003cspan\u003e O\u003c\/span\u003e\u003cspan\u003eperates on a standard 9Vdc Boss-style power supply (not included). Includes a one-year limited warranty if registered within 30 days of delivery.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan color=\"#000000\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"_04xlpA direction-ltr align-center para-style-body\"\u003e\u003cstrong\u003e\u003cspan class=\"S1PPyQ\"\u003eNew in V3:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"_04xlpA direction-ltr align-center para-style-body\"\u003e\u003cspan class=\"S1PPyQ\"\u003e- Independent control of the tape saturation and tape delay levels\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_04xlpA direction-ltr align-center para-style-body\"\u003e\u003cspan class=\"S1PPyQ\"\u003e- High-quality knobs with textured grip\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_04xlpA direction-ltr align-center para-style-body\"\u003e\u003cspan class=\"S1PPyQ\"\u003e- Tape reel design lights up when the pedal is on\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_04xlpA direction-ltr align-center para-style-body\"\u003e\u003cspan class=\"S1PPyQ\"\u003e- Better layout of the knob placement\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_04xlpA direction-ltr align-center para-style-body\"\u003e\u003cspan class=\"S1PPyQ\"\u003e- Smaller 125B enclosure (4.77\" x 2.6\" x 1.39\")\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_04xlpA direction-ltr align-center para-style-body\"\u003e\u003cspan class=\"S1PPyQ\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uFWd7XjAqkk?si=EiNbrP0DIRQN5JkA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Recovery Effects","offers":[{"title":"Default Title","offer_id":15319276093551,"sku":"RECOVERY-CUTTING","price":359.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/files\/recovery-cuttingroomfloorv3.jpg?v=1697706351"},{"product_id":"recovery-effects-sound-destruction-device","title":"RECOVERY EFFECTS Sound Destruction Device V3","description":"\u003cp class=\"paragraph_style_1\"\u003e(Sonic Destruction, Filter, and Oscillation)\u003c\/p\u003e\n\u003cp class=\"paragraph_style_2\"\u003e\u003cspan class=\"style_5\"\u003eTotal sonic destruction tool for guitar, or anything with a 1\/4″ jack you want to plug into it. It distorts, filters, oscillates, glitches, clips, and does things to your instrument that naturally should not happen. \u003c\/span\u003e\u003cspan\u003eS\u003c\/span\u003e\u003cspan\u003euper thick fuzz, starved splatt\u003c\/span\u003e\u003cspan\u003eer\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eand\u003c\/span\u003e\u003cspan\u003e wild oscillation\u003c\/span\u003e that can be controlled with an expression pedal. The Sound Destruction Device is unlike anything you’ve ever heard.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"paragraph_style_2\"\u003e\u003cspan class=\"style_5\"\u003eThe Sound Destruction Device is hand-wired in Seattle, Washington. True bypass, chrome-plated LED, and lead-free solder. It operates on a standard Boss style 9vdc power supply (not included).\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hF9qTw96EBw\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Recovery Effects","offers":[{"title":"Default Title","offer_id":15319279206511,"sku":"RECOVERY-SOUNDDESTRUCT","price":299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/recovery-sound-destruction-device.jpg?v=1581397732"},{"product_id":"free-the-tone-mc-3-midi-controller","title":"FREE THE TONE MC-3 Midi Controller","description":"\u003cp\u003e\u003cspan\u003eThe MC-3 is an easy-to-use, compact programmable MIDI controller which operates in two modes: Mode-1 (program change number send mode) and Mode-2 (preset mode). In Mode 1, the program change number is selected by pressing the left or right footswitch and the number to be sent is determined by the center footswitch. You can select a channel from channels 1–16 and send a program change number from 1–128. In Mode-2 (preset mode), the desired program change number or control change number can be assigned and programmed to one of the three footswitches, and then can be sent. The MC-3 also supports control change number sending and therefore it can be used not only in various applications such as program recalling on a connected device but also as a Tap tempo entry controller for an effects unit or as a channel switching footswitch for a MIDI amplifier.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eMAIN FEATURES\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cul class=\"first-child only-child last-child\"\u003e\n\u003cli\u003eCompact programmable MIDI controller easy to use\u003c\/li\u003e\n\u003cli\u003eWhen in Mode-1 (program change number send mode), any channel can be selected from channels 1–16 for sending of a program change number (1–128).\u003c\/li\u003e\n\u003cli\u003eWhen in Mode-2 (preset mode), control change numbers can be selected in addition to program change numbers, enabling more flexible sound system creation.\u003c\/li\u003e\n\u003cli\u003eWith support for control change number sending, the MC-3 can be used in a wide variety of applications including as a tap tempo entry controller for an effects unit or a channel switching footswitch for a MIDI amplifier.\u003c\/li\u003e\n\u003cli\u003eCan be powered by a 9-volt battery (006P) or a standard 9 VDC AC adapter.\u003c\/li\u003e\n\u003cli\u003e*Estimated operating time in normal use – manganese battery: approximately 10 hours; alkaline battery: approximately 35 hours.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch4\u003eMAIN SPECIFICATIONS\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cul class=\"first-child only-child last-child\"\u003e\n\u003cli\u003eTerminal: MIDI OUT (DIN 5-pin connector)\u003c\/li\u003e\n\u003cli\u003ePower supply: 9 V battery (006P) or AC adapter\u003c\/li\u003e\n\u003cli\u003eConsumption current: max. 25 mA \/9 VDC\u003c\/li\u003e\n\u003cli\u003eDimensions (W x D x H, incl. protuberances such as footswitches): 120 x 95.7 x 54.1 mm (4.72 x 3.77 x 2.13 inches)\u003c\/li\u003e\n\u003cli\u003eWeight (excl. battery): approx. 315 g (0.69 lbs)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":15319572873327,"sku":"FTT-MC3","price":199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/ac2b9e8c4e0ec915572e631cc2b24182.jpg?v=1553160473"},{"product_id":"jhs-muffuletta","title":"JHS Muffuletta","description":"\u003cp\u003eThe Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but we couldn’t come to a consensus about which Muff was king. With the Muffuletta, our indecision is your gain. We crammed five all-analog re-creations of the pedal’s most beloved tones into this box. We even threw in a JHS-exclusive tone that is our take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFive tones inspired by these classic Big Muffs: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- JHS - \"2015\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe JHS Muff is a JHS original take on the classic circuit. You will find this version more powerful and less compressed, with a more haunting midrange. It is also the best for bass guitar.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- ‘73 Rams Head - “1973-1977 V2”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ‘73 Rams Head gets its name for the strange little face that appears on the lower right corner of the original pedal. It is best known for having a scooped midrange, less gain, and being darker.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: David Gilmour (main Pink Floyd recordings), Ernie Isley (Isley Brothers), and J. Mascis (Dinosaur Jr.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- The Triangle - “1969-1970 V1”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Triangle Muff is so named for the triangle arrangement of the knobs. It boasts more low-end response while being more articulate.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: Santana, David Gilmour's Pete Cornish-made pedalboards, John Lennon, Kevin Shields (My Bloody Valentine), and possibly Jimi Hendrix.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- The Pi - “1977-1978 V3”\u003c\/strong\u003e An instantly recognizable red Pi symbol gives this pedal its moniker. This is not to be confused with the later redesigned NYC version released in 2000. It features a more aggressive sound.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: \u003c\/em\u003e \u003cem\u003eFrank Zappa, Billy Corgan (Smashing Pumpkins), Jack White, The Edge (U2), Beck, and Pete Townshend (The Who).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- The Russian - \"1999-2009 V8”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Russian Muff is named by the “Made in Russia” text found on the back of the pedals. It sports less clarity and less low end than other models. A great garage-type sound.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: Dan Auerbach (Black Keys), Chris Wolstenholme (Muse), and Robin Finck (Nine Inch Nails).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- The Civil War - “1991-1993 V7”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe old-style Civil War-era font and navy and gray colors found on these pedals’ enclosures dictate their name. They are best known for having more midrange and having a brighter overall tone with less gain.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: Thurston Moore (Sonic Youth), John Fogerty, Jeff Tweedy (Wilco), Mike Mills, and Peter Buck (REM).\u003c\/em\u003e\u003c\/p\u003e\n\u003ch4\u003eWith a pedal so stuffed with tasty tones you will have a hard time needing anything else to curb your appetite.\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eThis pedal requires standard 9V DC Negative power, consumes 4mA, and measures 2.2\"x4.8\"x1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"I want to give a massive thank you to my good friend Jon Cusack and \u003ca href=\"https:\/\/www.cusackmusic.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eCusack Music\u003c\/a\u003e for helping this hefty idea be fully realized. Jon you are a wizard of circuitry and a deep well of design knowledge to the things that are over my head – Josh\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2VIprUfsTY0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":15320361730159,"sku":"JHS-MUFF","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/jhs-muffuletta-green.jpg?v=1642646678"},{"product_id":"mastery-bridge-mst-string-tree","title":"MASTERY BRIDGE MST - String Tree","description":"\u003cp\u003e\u003cspan\u003eOur string tree design is machined (not formed) and features our unique hard chrome plating so the strings glide smoothly without the use of moving parts. It has a little more break angle to prevent sympathetic overtones caused by low string tension and less surface area touching the string verses the 50s wing design. Comes with our custom stainless steel screw that's a bit longer as well as our custom made stainless steel spacer.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mastery","offers":[{"title":"Default Title","offer_id":15320397971567,"sku":"MAST-MST","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/3c7686b527543b489ae5505565d4f67c.jpg?v=1553154710"},{"product_id":"keeley-memphis-sun","title":"KEELEY Memphis Sun","description":"\u003cdiv class=\"def-set\"\u003e\n\u003cdiv class=\"def-content\"\u003eThe new \u003cstrong\u003eMemphis Sun\u003c\/strong\u003e – Lo-Fi Reverb, Echo and Double-Tracker is our second studio themed pedal.  Like the Keeley 30ms ADT this pedal gives you a wealth of tones for capturing that classic Rock-and-Roll sound as well as sounds you’ve not heard before.  It’s NeoVintage. It’s an Echo and Reverb pedal.\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003eThink of this pedal as three different effects:\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003e\n\u003cstrong\u003eECHO 600\u003c\/strong\u003e – \u003cspan\u003eEcho for Long Delays\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003e\n\u003cstrong\u003eSUN MODE\u003c\/strong\u003e – \u003cspan\u003eAuto Track-Doubling and Slapback with Short Delays\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003e\n\u003cstrong\u003eREVERB\u003c\/strong\u003e – \u003cspan\u003eRoom Reverb – Full Studio Studio Simulation.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003eBoth of the \u003cstrong\u003eECHO 600\u003c\/strong\u003e and \u003cstrong\u003eSUN MODE \u003c\/strong\u003eeffects have a Room Reverb.  It’s a one-knob, rock and roll type of room reverb.\u003c\/div\u003e\n\u003ch3 class=\"def-content\"\u003eRoom Reverb\u003c\/h3\u003e\n\u003cdiv class=\"def-content\"\u003e The Room Reverb simulates a small 33′ by 18′ asbestos-tiled room so filled with music the sounds actually get compressed. We add a slight amount of “room compression” to the reverb; it almost lives and breathes.  We take into account the frequency response of the mics used then. The RCA 77 is loosely simulated by a group of filters including a HPF = 300 Hz and LPF = 8 kHz. Many artifacts are incorporated in our room reverb. In fact, second and third order harmonics are added to make sure it sounds\u003cem\u003e Just Right\u003c\/em\u003e.\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli class=\"def-content\"\u003e\n\u003cspan\u003e The Time Control\u003c\/span\u003e is the Pre-Delay amount: 0-150ms of pre-delay. This allows for a slapback sound as the first reflections come into focus.\u003c\/li\u003e\n\u003cli class=\"def-content\"\u003e\n\u003cspan\u003eRegen\/Mod\u003c\/span\u003e is the Tone Control: this is an active filter +\/- 10 dB and is centered around 1.1 kHz.\u003c\/li\u003e\n\u003cli class=\"def-content\"\u003e\n\u003cspan\u003eReverb Control\u003c\/span\u003e is the Depth Control for the reverberations\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSun Mode\u003c\/h3\u003e\n\u003cp\u003eLet’s Do it Twice Mama, It’s Alright!  Automatic Double Tracking (ADT) was not available in the 1950s, but we sneak it in here because it makes a wonderful sound. And, if you lengthen the time it goes right into slapback territory which is at the foundation of Country and Rock and Roll guitar sounds.  Like our \u003cstrong\u003eKeeley 30ms\u003c\/strong\u003e this pedal will do ADT.  The \u003cstrong\u003eMemphis Sun\u003c\/strong\u003e creates a vintage-voiced double-track in mono.  Your guitar playing “Gemini-Twin” in this case has a very warmed up tone.  Adjusting the Time Control lets you easily create anything from Double Tracking to Slapback with up to 180ms of dealy time.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eTime:\u003c\/span\u003e Delay Time is 0-180ms.  For Automatic Double-Tracking set this control at the second mark or lower, 0-30ms. For slapback echo 30-180ms sounds great.  The knob markers notate 0,30,60, 90, 120, 150, and 180ms\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eRegen\/Mod:\u003c\/span\u003e This is the Modulation for the ADT voice created.  Set to OFF for no Rate or Depth.  As you increase this control both the Rate and Depth of “Tape” modulation are increased.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReverb:\u003c\/span\u003e Old Rock-and-Roll Room Reverb.  RnR RR Right? Clickety Clack, RR Track.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eECHO 600\u003c\/h3\u003e\n\u003cp\u003eRock and Roll is the Devil’s music, right? Of course we made the delay time up to 666ms to simulate some unearthly echo machine that never really existed. Filtering in the Slackback Mode is done in stages. First we heavily filter the response at 1 kHz then compress the thing. Remember the concept… pack a bunch of sound in a small room and it compresses. Next we filter it again at 1 kHz!  Sounds like Rock and Roll, right? Aaron Tackett is our Rock and Roll Doctor of DSP here at Keeley. Not only is he devilishly good looking, he has a way of making waves look good, adding curves so to speak. He has added 2nd and 3rd order harmonics to this mix that simulate tape response and equipment distortions. Waves folded back on themselves.  Your gonna love his curves.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTime: 30-666ms \\m\/ \\m\/\u003c\/li\u003e\n\u003cli\u003eRegeneration:  As Jack White says, “Three.”  Up to three repeats. Or sometimes six….\u003c\/li\u003e\n\u003cli\u003eReverb: It’s Still Rock-and-Roll Room Reverb to Me\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch3\u003eThat’s What I Say Rockin’ Robbin!\u003c\/h3\u003e\n\u003cp\u003eNeoVintage – Low Fidelity. That’s right. That’s what I say. This doesn’t sounds like some merry band of pixie nymphs playing digital fiddles in your ear. It sounds freaking good…\u003cem\u003eGreat in fact.  \u003c\/em\u003eIf this pedal had a smell, like playing a new acoustic guitar, it would be too intoxicating to play.\u003c\/p\u003e\n\u003cp\u003eThe Keeley Memphis Sun – Lo-Fi Reverb, Echo and Double-Tracker\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XNYLNMPK6cQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":15320533958767,"sku":"KEE-MEMPHIS","price":259.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/keeley-memphis.jpg?v=1553153657"},{"product_id":"keeley-vibe-o-verb","title":"KEELEY Vibe-O-Verb","description":"\u003cp\u003eWelcome to the Vibe-O-Verb!\u003c\/p\u003e\n\u003cp\u003eThis is a reverberation machine…. Lost reverbs that never were.\u003c\/p\u003e\n\u003cp\u003eThe atmospheres are Vibey, have Vibratoneness, and are Phasery….\u003c\/p\u003e\n\u003cp\u003eThis three mode reverb lets you hear what some of the most classic effects sound like on just the reverb. Allowing you to create new sounds and textures like never before.\u003c\/p\u003e\n\u003cp\u003eFibonacci\u003c\/p\u003e\n\u003cp\u003eAll of the Delay Space in our reverb engine for the pedal are in the Fibonacci series. What does this mean for you? You’ll probably make more money, look better (see golden ratio below) and find true happiness. What does this mean for us? A secret pleasure in defining a reverb that is unique and possibly more musical. Since great works of art like Debussy’s La Mer have been crafted by using the Golden Ratio, why not create lengths of time defined by such ratios? 0, 1, 1, 2, 3, 5, 8, 13, 21, 34\u003c\/p\u003e\n\u003cp\u003eHarmonic Reverb\u003c\/p\u003e\n\u003cp\u003eThis mode is like a vintage Brownface Amp or our DynaTrem, Harmonic Tremolo on the reverb. Imagine choppy waves of tremolo on your verb! All with the a delicious hint of Vibe! Dynamic Dimension Canyons?!\u003c\/p\u003e\n\u003cp\u003eVibrato Reverb\u003c\/p\u003e\n\u003cp\u003ePitch Bending Reverberation Machine. From mild chorus to spacey bayou tones! Too grande to call our modulated chorus, this is one for modern psychedelics. For this one you have to imagine maybe both the source and the reflective wall moving! Maybe even accelerating with respect to each other. Why didn’t we call this one the General Theory Of Reverberation?\u003c\/p\u003e\n\u003cp\u003ePhaser\u003c\/p\u003e\n\u003cp\u003ePhaser Modulated Reverb. Maybe the most mild but in a way that lets you appreciate some of the space around notes. This notch filter in your reverb space gives the illusion of the reflecting wall morphing from carpet to wood, then to steel and then glass. Round and round. Get the idea? Dynamic reflections in an all new space.\u003cbr\u003eEnjoy these “Lost Reverbs” Vibe-O-Verb, reverbs that never were….until now.\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RfGif5-fMFc\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":15320559681647,"sku":"KEE-VIBE-O","price":209.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/keeley-vibeoverb.jpg?v=1553160425"},{"product_id":"keeley-red-dirt-germanium","title":"KEELEY Red Dirt Germanium","description":"\u003cp\u003eKeeley’s latest mod to the venerable platform has everyone grinning here at the shop. The Red Dirt Germanium is going to be made in two stages. The first 50 will have a Germanium transistor popping through the top of the pedal. Instantly identifiable as something new and unique to the Keeley line. From then on the transistor will be mounted inside the unit. Same exact circuit, just without the hood ornament.\u003c\/p\u003e\n\u003cp\u003eThe New Mod\u003c\/p\u003e\n\u003cp\u003eThe new mod happened as a result of me trying to be a touch lazy. Or let’s say, I was trying to find a short cut and struck gold. In modifying the circuit I came across a way to have variable gain on different parts of the frequency response. The rather small change isn’t ground breaking, but I’ve never seen it done this way in a tube screamer type of circuit. The resulting sound is exceptional. It sounds 3D. It’s more of everything. It in fact cleans up really nicely with the volume control even though it has plenty more gain on tap. It makes a stock screamer sound very flat and one dimensional. By allowing differing gain rates for the bass response, the bass stays tight and forceful. The mid range and highs are soaked in sustain and saturation. The balance is exceptional.\u003c\/p\u003e\n\u003cp\u003eRed Dirt History\u003c\/p\u003e\n\u003cp\u003eThe Red Dirt overdrive began from a quest to find the perfect classic drive sound while also offering new levels of sonic versatility to satisfy a wider range of musical styles. Founder and head engineer Robert Keeley took this idea and combined the great sounds found within his original “Mod Plus” and “Baked” modified pedals and added refinements found exclusively in his custom pedal line. A Keeley designed FET input stage makes this overdrive breakup in a whole new, genuinely “tube like” style that will have your leads singing and your rhythm playing sounding more dynamic and expressive than ever. It all culminates in an overdrive that is superbly dynamic, with crispness and clarity that let players cut through a dense mix, while retaining the plump midrange. By incorporating these tones along with the Keeley standard of U.S.A. hand-built quality using premium components, the Red Dirt overdrive aims to become an indispensable part of any pedal chain.\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Oom8WWdlaLw\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":15320569315439,"sku":"KEE-RED-GERM","price":239.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/2e53971147010a2941806542cd33644b.jpg?v=1553150733"},{"product_id":"union-tube-transistor-tour-bender","title":"UNION TUBE \u0026 TRANSISTOR Tour Bender","description":"\u003cp\u003eThe Tour Bender is a silicon version of our Sone Bender. They are voiced as closely as we could but some have said they hear the Sone Bender as a bit darker and the Tour Bender as a touch brighter.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDeluxe version has a wooden box, bandana, and laser engraved badge.\u003c\/span\u003e\u003c\/p\u003e","brand":"Union Tube and Transistor","offers":[{"title":"Default Title","offer_id":15320634294383,"sku":"UT-TOUR","price":359.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/45e8058ffa1d9e663ac79e50ca2bb436.jpg?v=1554439720"}],"url":"https:\/\/www.deluxeguitars.com.au\/collections\/sale\/dazatronyx.oembed","provider":"Deluxe Guitars","version":"1.0","type":"link"}