{"title":"Effects","description":"Where to begin? The finest fuzz, delay, reverb, compressor, chorus, loop, synth, boost, overdrive and anything-else-you-can-think-of pedals that Australia has to offer. \n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"analog-alien-alien-twister","title":"ANALOG ALIEN Alien Twister","description":"\u003cp\u003eThe Alien Twister has touched down, and according to preliminary reports it has all the makings of an F-5 Tornato! The Alien Twister is a Fuzz, Distortion, Overdrive pedal with a built in buffer. The Twister comes in a cloth satchel and is packed in it’s own branded wooden box and includes a bottle of Chips favorite Hot Sauce. With an output that reaches unity gain at 10 O’ Clock this pedal has plenty of power to blow the doors off of all your favorite venues.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePedal Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Control\u003c\/strong\u003e:The Input Control adjusts the level of the signal that is sent to the input of AT and is a very handy feature to have on a fuzz pedal. It not only makes the AT more versatile, but when combined with the stab control, it offers you, the guitarist, a greater spectrum of tonal possibilities.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutput Control\u003c\/strong\u003e:The Output Control sets the amount of output signal that is sent to your amp. Let me warn you that the AT has a lot of output gain – a lot! It reaches unity gain at 10 O’Clock!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStab Control\u003c\/strong\u003e:The Stab Control adjusts the amount of voltage that is sent to the final transistor stage of the Alien Twister. Turning the Stab Control counter-clockwise to the left decreases the voltage. The more this control is turned to the left, the more the notes will tend to splatter and will have less definition. Turning the Stab Control clockwise to the right increases the voltage level. The result is a stronger sounding fuzz with lots of sustain and greater note definition. The sensitivity of this control depends on how strong your pickups are and how you set the input control on the AT. The Stab Control works hand in glove with the input control. Both can be adjusted to allow you to go from a thick vintage fuzz to a full rich distortion, and finally to an expressive overdrive.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuffer\u003c\/strong\u003e: You may have read or heard about placing a buffer in your signal chain, but what is a buffer? A buffer is a simple preamp circuit that has a high input impedance and a low output impedance. The buffer adds no gain to the signal, but by converting the impedance from high to low, it gives the signal the strength it needs to make its way through long cable runs, as well as through the circuitry of the other pedals that you may have in your signal chain. A well designed buffer, like the one in the Alien Twister, will accomplish this without loss of tone or signal level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLEASE NOTE: Pedal does not include 9v Power Supply in Australia.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Analog Alien","offers":[{"title":"Default Title","offer_id":15308735283311,"sku":"AA-AT","price":219.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/728a5c0d44090fea4bd4f6404cf51892.jpg?v=1553158081"},{"product_id":"analog-alien-fuzz-bubble-45","title":"ANALOG ALIEN Fuzz Bubble 45","description":"\u003cp\u003eThe Pete side is designed to sound like a vintage tube amp from the 60′s and 70′s. These tones have become legendary in the minds of all rock guitar players. The controls are very simple and straight forward. The output knob controls the effected output level going to your amp. The input level is controlled by your guitar's volume knob – just as it is when you plug into a vintage amp. By adjusting your guitar's volume control you can drastically change the tone and response of the pedal and we encourage you to experiment in this area. The year knob determines the amount of gain you send to the pedals overdrive circuit. By rotating the knob clockwise, towards '77, the sound becomes more distorted producing a rich harmonic texture. This will enhance every note and chord you play, especially power chords…very cool! And just like a vintage tube amp the clarity of each note can still be heard. The circuit is also very touch sensitive responding to your own personal playing style. The tone switch was added to allow you to roll back some of the lower frequencies. Depending on the type of pickups you have in your guitar, this switch can really help put the finishing touches on your sound.\u003c\/p\u003e\n\u003cp\u003eThe Jimi side is one of the best sounding fuzz faces on the planet. Just like the Pete side the controls are simple and easy to use. The input pot controls the amount of signal coming into the pedal. The output pot determines the amount of effected signal that is sent to your amp. The Haze control determines the intensity of the fuzz saturation. Unlike a conventional fuzz control, which is typically found on many Fuzz Faces, the haze control and the input control work together in shaping your sound. Depending on how the two are adjusted you can go from a voodoo wall of Fuzz to one of the sweetest sounding overdrives in the galaxy. The tone switch functions identically as it does in the Pete circuit, offering you even more tone shaping flexibility. Don't be afraid to play with your guitar's output control too. Unlike most fuzz faces the Jimi won't get too thin when you turn your guitar's volume down.\u003c\/p\u003e\n\u003cp\u003eThe true flexibility of this pedal lies in the fact that we designed both sides to work together. Although they're two different circuits, one can be made to sound similar to the other. In other words there's a little yin and yang thing going on here. That's why the color of the LEDs is reversed. Put it all together and you get the Fuzz Bubble-45!.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLEASE NOTE: Pedal does not include 9v Power Supply in Australia.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/JSJFyOd7zCg\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Analog Alien","offers":[{"title":"Default Title","offer_id":15308763463791,"sku":"AA-FB45","price":289.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/2498fd43f0b239275f4eb40b1ee8773c.jpg?v=1553156314"},{"product_id":"dawner-prince-effects-diktator","title":"DAWNER PRINCE EFFECTS Diktator","description":"\u003cp\u003eLike every diktator, this one is rough too, but it can be soft – it has sweetness, but it also has balls…\u003cbr\u003e\u003cbr\u003eIt is a unique two channel combination of clean, transparent preamp \/ booster and rich overdrive \/ distortion that can work independently.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDetonator channel is an extremely versatile drive that takes your tone from light crunch, through rich, fat overdrive, all the way to tight distortion. Two toggle switches are responsible for different tonal and gain shapes, and with two-band active tone control, any desired frequency is easily cut or boosted. Another original feature is a Dynamic-O-Meter™ (Diktator’s eyes), which is a visual indicator of the drive’s dynamic response.\u003cbr\u003e\u003cbr\u003eFuse channel used alone is an ultra transparent preamp which refines the original tone, making your guitar sound bigger and easily pushes amplifier into the natural overdrive. Used in conjunction with detonator channel, it really hits your amp hard and is an excellent booster for lead parts, solos, etc…\u003cbr\u003e\u003cbr\u003eDiktator also utilizes improved power supply filtering circuitry, RF rejection filter, smart PCB routing, no-wire design, audiophile quality components and true bypass switching system.\u003cbr\u003e\u003cbr\u003eAll these features assure the Diktator's domination over your guitar tone and representative place on the pedalboard. Enjoy!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePower Input Voltage: 9 - 18V\u003c\/li\u003e\n\u003cli\u003ePower input connector: 2.1mm barrel connector (Negative tip)\u003c\/li\u003e\n\u003cli\u003ePower Consumption: ~ 13mA\u003c\/li\u003e\n\u003cli\u003eSize: 4.4” x 3.5”\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dawner Prince","offers":[{"title":"Default Title","offer_id":15309972766831,"sku":"DP-DIKT","price":269.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/b155969eeaba66ece8b9dc3be21abf2d.jpg?v=1553146930"},{"product_id":"greenhouse-middleman-booster","title":"GREENHOUSE Middleman Booster","description":"\u003cdiv ng-bind=\"pedal.title\" class=\"pedal-overview-title ng-binding\"\u003eThe Middleman enhances the guitars dominant energy. Conceived after a comprehensive research incorporating professional guitar players and sound technicians. Designed to be a versatile musical tool.\u003c\/div\u003e\n\u003cdiv ng-bind-html-unsafe=\"pedal.content\" class=\"pedal-overview-content ng-binding\"\u003e\n\u003cp\u003eI wanted a pedal that doesn't boost frequencies that are not predominant to the guitar, that can alsodo a flat EQ clean boost and can add a tiny amount of distortion as well.\u003c\/p\u003e\n\u003cp\u003eThe Mid knob sets the amount of boost or cut applied to the mid frequencies at 500Hz(up to 15Db). At 12 o'clock it is nonactive, and delivers a flat EQ response. The Gain knob boosts the level up to 35Db, adding a bit of grit as you crank it. The Volume knob is the master volume control of the Middleman. These simple three knob configuration gives you a substantial number of ways to boost and enhance your sound.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli ng-repeat=\"feature in pedal.features\" class=\"ng-scope ng-binding\"\u003eActive Mid Boost, Clean Boost and Buffer in one pedal.\u003c\/li\u003e\n\u003cli ng-repeat=\"feature in pedal.features\" class=\"ng-scope ng-binding\"\u003eEnhances the guitars natural tone.\u003c\/li\u003e\n\u003cli ng-repeat=\"feature in pedal.features\" class=\"ng-scope ng-binding\"\u003eIdeal for pushing a tube amp into overdrive.\u003c\/li\u003e\n\u003cli ng-repeat=\"feature in pedal.features\" class=\"ng-scope ng-binding\"\u003eCan make a Single coil pickup sound like a Hum-bucker.\u003c\/li\u003e\n\u003cli ng-repeat=\"feature in pedal.features\" class=\"ng-scope ng-binding\"\u003eGreat for stacking with other dirt pedals for new tones\u003c\/li\u003e\n\u003cli ng-repeat=\"feature in pedal.features\" class=\"ng-scope ng-binding\"\u003eTrue Bypass Switching\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1iJRmER9pxE\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e","brand":"Greenhouse Effects","offers":[{"title":"Default Title","offer_id":15310770405487,"sku":"GH-MM-B","price":179.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/f5fce1cd8903567247d61921083f21cf.jpg?v=1553147861"},{"product_id":"jhs-angry-charlie-v3","title":"JHS Angry Charlie V3","description":"\u003cp\u003eThe Angry Charlie has become a staple of the JHS line over the years, and it’s a force to be reckoned with in the high-gain pedal territory. Its ability to convincingly and accurately breathe JCM800 tones into any rig has made it a popular choice for guitarists of all genres. And unlike many other British amp-in-a-box pedals, the Angry Charlie V3 sports a 3-band tone stack, just like the Marshalls, helping nail those warm yet searing tones and boundless sustain. If you are a glutton for high-gain overdrive\/distortion that has a British flavor, the Angry Charlie V3 will change your life. Well, your gear life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurious-sounding amp in a box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTurn the Drive control down, and you might be surprised how bluesy and vintage-like this pedal sounds. But through its different versions, our Angry Charlie distortion has always been one of the more aggressive British amp-in-a-box pedals out there. Either way, you’ll be injecting your amp with the grit and attitude of the UK amplifier heads that gave rock ‘n’ roll its teeth.\u003cbr\u003e- Turns any amp into a screaming Marshall stack\u003cbr\u003e- Go from bluesy Hendrix-like breakup to high-gain Brit tones with a twist of the Drive knob\u003cbr\u003e- Drive and Volume control interact the same as a master volume amp head\u003cbr\u003e- Back off your guitar’s volume to control your gain levels without losing clarity\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarshall-style tone stack\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAfter a couple of extremely well-received versions of the Angry Charlie, we realized that to really nail the ultimate Marshall-style tone, we had to add Marshall-style control. So we gave you a finely tuned Marshall-style 3-band EQ. Enjoy!\u003cbr\u003e- Fine-tune your tone with controls for Bass, Middle, and Treble\u003cbr\u003e- Active controls boost and cut their selected frequencies\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis pedal requires standard 9V DC Negative power, consumes 11mA, and measures 2.6\"x4.8\"x1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVERSION HISTORY:\u003c\/strong\u003e\u003cbr\u003eV1 = larger enclosure and 3 controls, no presence control\u003cbr\u003eV2 = changed to current production size enclosure and look. presence control added.\u003cbr\u003eV3 = color changed to red, added 3 band tone stack, 5 controls total\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3FsTqx8pDo0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":15311127740527,"sku":"JHS-AC","price":269.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/49ed8fc9cd23fff133c2f2d80783d727.jpg?v=1553154870"},{"product_id":"jhs-mute-switch","title":"JHS Mute Switch","description":"\u003cp\u003eWith a name like the JHS Pedals Mute Switch, it doesn’t take a rocket surgeon to guess what this little guy does. But in case you’re still curious, it’s a switch that mutes your signal. This latching design lets you immediately cut your signal for silent tuning, breaks between sets, and more. We’d love to go on about this valuable tool...but we’ve pretty much covered it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIt turns your signal on and off\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis Mute Switch mutes your sound. It’s that simple. And yet we think that with its color-changing LED indicator, high-grade components, and convenient compact size, the JHS Pedals Mute Switch does it better than any other.\u003c\/p\u003e\n\u003cp\u003e- Small size is ideal for saving pedalboard space\u003cbr\u003e- Easy-to-use latching design\u003cbr\u003e- Enjoy absolute silence from everything before it in the chain\u003cbr\u003e- Works great on pedalboards and in effects loops\u003cbr\u003e- LED indicator changes from blue to red to show if the mute is engaged\u003c\/p\u003e\n\u003cp\u003eNOTE that this is NOT a momentary switch. When clicked, the signal stays in the position chosen.\u003c\/p\u003e\n\u003cp\u003eThis pedal is passive but requires standard 9V DC Negative for the LED to function and it measures 3.6\"x1.5\"x1\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":15311183577199,"sku":"JHS-MUTE","price":89.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/jhs-mute.jpg?v=1590379471"},{"product_id":"mr-black-eterna","title":"MR BLACK Eterna","description":"\u003cp\u003e\u003cspan\u003eInfinity and the magnitude of time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe breath of yesterday delicately caresses a shadow of tomorrow, as a touch of shimmering radiance soars across the endless sky. What once was dissolves into forever. Breathtaking, beautiful and inspirational, we bring forth: Eterna.\u003c\/p\u003e\n\u003cp\u003eA remarkable, lush and fully capable reverberator.\u003c\/p\u003e","brand":"Mr Black","offers":[{"title":"Default Title","offer_id":15311985606767,"sku":"MR-B-ETERNA","price":239.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/mrblack-eterna-stained.jpg?v=1657264361"},{"product_id":"one-control-minimal-series-1-loop-box","title":"ONE CONTROL Minimal Series 1 Loop Box","description":"\u003cp\u003e\u003cspan\u003eThe One Control 1 Loop Box was created to be the smallest 1 loop switcher possible. By using an array of PCB, One Control was able to become the first manufacture in the world to create this small of a looper using PCB. Painstaking effort was put into this design to be able to create such a small designed PCB board that would fit into the 1 Loop’s compact case. In addition to the small size, the PCB design has created a much more durable product than current competitors on the market. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan style=\"font-size: large;\"\u003eSummary\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePassive Switchable Loop Pedal\u003c\/li\u003e\n\u003cli\u003eMultiple effects can be routed to the effects send of an amp and quickly bypassed with one step.\u003c\/li\u003e\n\u003cli\u003eA great solution for bypassing vintage effects while they are not in use, which often have a buffer that can get in the way of your signal chain.\u003c\/li\u003e\n\u003cli\u003eDifferent Uses:\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAB Switch: \u003c\/strong\u003eINPUT, SEND and OUTPUT\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInstrument\/Input Selector: \u003c\/strong\u003eINPUT, RETURN and OUTPUT\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMute Switch: \u003c\/strong\u003eINPUT and OUTPUT\u003c\/li\u003e\n\u003cli\u003eCan be used without DC Power, however the LEDs will not function.\u003c\/li\u003e\n\u003cli\u003eRecommended power supply is the EPA-2000, not included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe 1 Loop Box has many different uses. When then 1 Loop is bypassed the input signal will go directly out of the output jack but, when the pedal is activated the input signal will come out of the send, and the signal that goes into the return will come out of the output jack. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan style=\"font-size: large;\"\u003eDifferent Uses - Explained\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAB Box\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eIf you use the INPUT, SEND and OUTPUT only, the 1 Loop can also be used as an AB BOX. When you step on the footswitch you are essentially choosing whether the signal comes out of the send or out of the main output. That being said, you can attach whatever you’d like to the SEND and OUTPUT and toggle between the two of them. For example, you can switch between two amps or use the send as a tuner\/mute switch. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInstrument\/Input Selector\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e*If you only use the INPUT, RETURN and OUTPUT, the 1 Loop Box can also be used as a instrument\/input selector. Simply attach one input signal into the INPUT and the second signal into the RETURN. When the pedal is turned on the signal going into the RETURN will be the OUTPUT signal and when the pedal is off, the signal going into the INPUT will be the OUTPUT signal. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMute Switch\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e*If the INPUT and OUTPUT are the only two jacks being used on the 1 Loop, it becomes a mute switch. When the Pedal is bypassed the signal will go directly the OUTPUT. When the pedal is in use, the signal will be muted. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSize and Portability\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e*In order to minimize size the 1 Loop cannot use a battery but because of its passive circuit capabilities it doesn’t need power to operate. Please note LEDs will not function when not connected to a power supply.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSize 54W x 101Dx48H\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWeight: 127g \/ 4.48oz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePower: 9V Center Negative, 1mA\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"One Control","offers":[{"title":"Default Title","offer_id":15312136896623,"sku":"ONE-1L","price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/d922160f2ce1d0f3a825b307e86d5e89.jpg?v=1553148883"},{"product_id":"rjm-music-technology-10ft-amp-cable-egnater-tourmaster","title":"RJM MUSIC TECHNOLOGY 10ft Amp Cable - Egnater Tourmaster","description":"\u003cp\u003eThis cable allows you to connect an Egnater Tourmaster amp to an Amp Gizmo, Mini Amp Gizmo or RG-16 and control all of the amp's footswitchable functions via MIDI.\u003c\/p\u003e","brand":"RJM Music Technology","offers":[{"title":"Default Title","offer_id":15312348315759,"sku":"RJM-CABLE-EGN-TM","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/d00c0ab093896aaccd7b8fa7464191a1.jpg?v=1553148155"},{"product_id":"rjm-music-technology-10ft-amp-cable-mesa-mark-iv","title":"RJM MUSIC TECHNOLOGY 10ft Amp Cable - Mesa Mark IV","description":"\u003cp\u003eThis cable allows you to connect a Mesa® Mark IV amp to an Amp Gizmo, Mini Amp Gizmo, Rack Gizmo or RG-16 and control the amp's footswitchable functions via MIDI. (this includes all 3 channels, EQ and loop). Notes:\u003cbr\u003eOn an RG-16 or Amp Gizmo, you can use an additional 1\/4\" cable to control the Class A function of the amp.\u003c\/p\u003e","brand":"RJM Music Technology","offers":[{"title":"Default Title","offer_id":15312372858991,"sku":"RJM-CABLE-MESA-M4","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/45dee25760a67243315d46b97f655ec7.jpg?v=1553146600"},{"product_id":"the-gig-rig-evenflo","title":"THE GIG RIG EvenFlo","description":"\u003cp\u003e\u003cspan\u003eDesigned especially for the new range of Eventide pedals the EvenFlo allows you to power your new Time Factor, Mod Factor or Pitch Factor directly from the Generator. If you have all three pedals you can still power them all from a single Generator.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Gig Rig","offers":[{"title":"Default Title","offer_id":15313455153263,"sku":"TGR-EF","price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/c4530f6567c794d8e81b705fc2df4d52.jpg?v=1553142211"},{"product_id":"walrus-audio-descent-reverb","title":"WALRUS AUDIO Descent Reverb","description":"\u003cp\u003e\u003cspan\u003eThe Descent was designed to create ambient textures of sound, from thick and endless hall reverbs to symphonic shimmers. The Descent is a three mode reverb system; hall, reverse, and shimmer. In each mode, the user has the ability to feed +1 and -1 octaves into the reverberated signal. The Hall mode will feature a classic reverb sound that can move your signal from a small-room-echo to a haunting long hall- echo. The Reverse mode smoothly flips your signal to playback unique responses and can be manipulated with pre-delay time controls. Shimmer mode highlights the octave features, dry signal, -1, and +1 to mix in your signal and creates a symphony of sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Descent offers you eight controls to precisely hone in your perfect reverb. In addition, the user can use an auxiliary momentary switch in the fav input to switch the pedal on\/off and\/or save presets. If you have an already crowded pedal board, you can set your Descent at the back of the board and run a small SPST switch to the front of the board so you don’t lose valuable real estate. The Fav input requires a TRS cable to be used. The expression pedal control works with most on-the-shelf expression pedals. This feature allows the user to set the high and low parameters of each control and then fade in and out the those controls by moving your foot up or down on the expression pedal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4.67″ x 3.68″ x 1.18″ (119mm x 94mm x 30mm)\u003c\/li\u003e\n\u003cli\u003eThe use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/Nh_P5JSQZ18?list=UUBHoPcJMiFe6CuVY2X7I0YQ\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Walrus Audio","offers":[{"title":"Default Title","offer_id":15313696686191,"sku":"WAL-DES","price":339.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/050c3d15a1af073e05f5d9a4eeb00d0c.jpg?v=1554439335"},{"product_id":"walrus-audio-janus-tremolo-fuzz","title":"WALRUS AUDIO Janus Tremolo\/Fuzz","description":"\u003cp\u003eThe Janus is a true bypass, dual joystick controlled Tremolo\/Fuzz pedal that allows you to create a landscape of distorted textures. Both the Tremolo and the Fuzz can be isolated and used alone, but can also be used together in series creating thick textures with a lot of movement. Each joystick has a separate X and Y axis that has designated controls. The Tremolo joystick controls the rate and depth while the Fuzz joystick controls the amount of fuzz and the tone. There are individual Volume controls for both effects and a Blend control for the Fuzz that allows the user to mix unaffected signal with the effected fuzz signal.\u003c\/p\u003e\n\u003cp\u003eThe joystick controls make the Janus a great option for guitars, vocals, keys, or tracks.\u003c\/p\u003e\n\u003cp\u003e9V DC - 7.38 x 4.70 X 2.75 inches\u003c\/p\u003e","brand":"Walrus Audio","offers":[{"title":"Default Title","offer_id":15313704976495,"sku":"WAL-JAN","price":339.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/53a4eeccc25580d59c73db52dbc48691.jpg?v=1554438108"},{"product_id":"wren-and-cuff-hangman","title":"WREN and CUFF Hangman","description":"\u003cp\u003eThe Boss HM-2 was laid to rest in 1991 when the last of the wannabe Marshall-amp in a box pedals rolled off the line…\u003cbr\u003e\u003cbr\u003eA puzzling pedal to some and downright hated by others, the funeral was not attended by many and met with a sigh of relief by those who loathed it’s buzz-saw brand of high-gain distortion. However there was a small group of loyal followers that grieved the death of this black and orange beast.\u003cbr\u003e\u003cbr\u003eDespite the drop in sales the pedal experienced causing Boss to cease production, a wide swath of bands gave the HM-2 a permanent residence on their pedal-boards. Swedish Death Metal legends like Entombed and Dismember had long ago made it an essential “always on” part of their setup while the Shoegazing bands from My Bloody Valentine to The Jesus and Mary Chain were using it to help craft their walls of distorted guitar noise chaos. Others saw it showing up under the feet of some of the most noted bands that emerged in the now historic grunge-wave of the nineties.\u003cbr\u003e\u003cbr\u003eEnter the Wren and Cuff Hang Man 2D, a detailed recreation of Boss’ “Heavy Metal” pedal.\u003cbr\u003e\u003cbr\u003eWith a circuit more complicated than many digital delays, and the ability for the average person to get an original HM-2 on ebay for pretty cheap, many may wonder why the hell we decided to remake this pedal.\u003cbr\u003eThe answer? Because I (Matt) wanted to. As with many of our recreations, it became an obsession and difficult task to really nail the tone. As usual, it went way beyond getting a schematic. It became a task requiring ears and hours.\u003cbr\u003e\u003cbr\u003eAlso, a hand-wired, hand-loaded, circuit board using 1\/4 watt metal film resistors instead of the 1\/8 watt carbon film on the original is a nice thing if you like this pedal. The noise floor becomes dramatically less, and colorful overtones become much more apparent. Add to that the usual Wren and Cuff luxuries of 100% mechanical, true hard-wired bypass, rugged all metal Alpha pots mounted directly to the chassis, a Modern and Vintage toggle switch, tough metal enclosure and gorgeous art work… And one can see the value of the Hangman 2 over the original.\u003cbr\u003e\u003cbr\u003e(*All of the references below apply to both the original HM-2 and our Hang Man 2D.)\u003cbr\u003eThis pedal can go from super compressed, tight, smooth distortion, to a snarling buzz-saw monster that brings out every pick-to-string strike you throw at it. Surprisingly though, one trait it does not possess is the extreme scoop to the mids many associate with “Heavy Metal.” One of the secrets to it’s tone is the somewhat strange configuration of it’s “color mix” section.\u003cbr\u003e\u003cbr\u003eThere is the “low” knob which functions as one would expect, and a high knob to help shape the tone. But the “high” knob is kind of an odd-ball in how it effects things. The high-mids are tied together so that the high knob is more of a upper-mids to treble control which can make getting great sounds out of it a bit tricky… but this is also the charm of it. It’s not a pedal all will turn on and immediately fall in love with. It’s a pedal that will make you search for the sweet spot between the pedal’s own crunch and the amp it’s being fed into.\u003cbr\u003e\u003cbr\u003eMany in the death-metal crowd dime everything, pummel the front end of a solid state or tube amp, then EQ the whole amp around the pedal. But most often the pedal’s output is pushed up hard enough to mesh with an amp’s natural distortion and the high knob jacked up enough to introduce the buzz-saw grind.\u003cbr\u003e\u003cbr\u003eIn other words, it’s tweaked until one finds the sweet spots lurking inside the Hang Man.\u003cbr\u003e\u003cbr\u003eDo an HM-2 search on you tube and you’ll see the difference between those who have learned the hidden tricks of the HM-2, and those who still need some schooling. You’ll hear some of the thickest most brutal sounds a pedal can produce, but you’ll also hear some of the worst “bee trapped in a jar” tones that would make anyone cringe.\u003cbr\u003e\u003cbr\u003eThen why recreate a pedal that isn’t instantly awesome to the average user? Because I love it when a seemingly simple pedal makes you get out a shovel and dig for the gold nuggets inside. These are the things no modeler can reproduce. However, the “D” in our HM-2D is there for a reason. It stands for “Deluxe” because of a few tweaks applied to the circuit to make the pedal even more fun.\u003cbr\u003e\u003cbr\u003eThere is a vintage\/modern switch that lets you to reconfigure the clipping diodes allowing you bounce between “stock” at one setting, and a less compressed more overdrive-meets-distortion sound as well as a boost to the output level.\u003cbr\u003e\u003cbr\u003ePick up the Hangman 2D if you dare, and learn why it kicks ass and doesn’t take names.\u003cbr\u003e\u003cbr\u003eBottom line…\u003cbr\u003e\u003cbr\u003eThis pedal F***ing Rocks.\u003c\/p\u003e\n\u003cp\u003eHear it!\u003c\/p\u003e","brand":"Wren And Cuff","offers":[{"title":"Default Title","offer_id":15313908400239,"sku":"WC-HM","price":259.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/b6f3be4146f0bae49d5a20484d918651.jpg?v=1554437973"},{"product_id":"zvex-loop-gate","title":"ZVEX Loop Gate","description":"\u003cp\u003eGating very complex sounds like fuzz and delay is always a challenge. The Loop Gate™ provides a loop switch with a built-in “perfect” audio gate (high headroom, no distortion, no hiss) that lets you set up a loop of pedals you can switch in and out of your signal path at will, but you have a couple of really fun options to control that loop that include a cross-fade “mix” option as well as creating tremolo-like sounds with “chop” mode. The beauty of introducing a loop into a noise gate is that the device looks at your guitar signal to see when you want to gate. It doesn’t even bother to look at the output from your loop of pedals... that is way too noisy to study. It’s much better to look at the incoming guitar signal to see what’s up, and that’s just what the Loop Gate™ does. The guitarist can have all sorts of crazy things happening in the loop without worrying that all of that sonic madness will trigger the gate.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrue Bypass\u003c\/li\u003e\n\u003cli\u003eGate Stomp Switch\u003c\/li\u003e\n\u003cli\u003e9V Battery\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ZVEX","offers":[{"title":"Default Title","offer_id":15314269012079,"sku":"ZV-LOOPG","price":239.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/9864664882b953b2742ffd3ea38651e3.jpg?v=1554438844"},{"product_id":"union-tube-transistor-beelzebuzz","title":"UNION TUBE \u0026 TRANSISTOR Beelzebuzz","description":"If evil distortion is what you're after, the The Union Tube \u0026amp; Transistor Beelzebuzz is what you need. With one knob, you can control the volume and signal control with ease to get the sound you're looking for. This boutique distortion pedal was designed and manufactured in East Vancouver, BC with utmost attention to detail. Pick one up - you won't be disappointed with the Beelzebuzz!","brand":"Union Tube and Transistor","offers":[{"title":"Default Title","offer_id":15315856130159,"sku":"UT-BEE","price":319.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/379f24d0bd0e30609e84a6cce30231ca.jpg?v=1554439123"},{"product_id":"free-the-tone-efs-4-footswitch-for-arc-3","title":"FREE THE TONE EFS-4 Footswitch for ARC-3","description":"The FREE THE TONE “EFS-4” is a custom product to be used with the ARC-3 and is manufactured to order when assembling rack systems\/pedal boards for professional artists. Each time we upload system pictures of artists on our Facebook or Twitter page, many of the viewers send us requests to make this footswitch unit available to them. Now, in response to these requests, we are pleased to announce that we will start manufacturing the EFS-4 to order.\u003cbr\u003eConnected to the E1–E4 terminals on the ARC-3, the EFS-4 allows the user to recall Program Presets PS8, PS9, and PS10 (initial configuration) which cannot be recalled from the main unit. By assigning various functions such as switching an effects loop on\/off to the E1–E4 terminals, the user can make full use of the features already implemented in the ARC-3 and can construct a more flexible sound system.\u003cbr\u003e\u003cbr\u003ePreset numbers PS8, PS9, and PS10 can be recalled (initial configuration).\u003cbr\u003eBy assigning effects loops (L1–L8) to the terminals, individual effects loops can be turned on\/off at any time even in Preset mode.\u003cbr\u003eUp to four different control signals can be sent by assigning CSW1–8, CTL1–6, MUTE1, and MUTE2.\u003cbr\u003e\u003cbr\u003eMain Specifications\u003cbr\u003e\u003cbr\u003eControls: 4 x Momentary footswitch\u003cbr\u003eTerminals: 4 x Standard 1\/4″ phone jack\u003cbr\u003eDimensions (W x D x H, incl. protrusions): 116 x 138 x 69 mm (4.57 x 5.43 x 2.72 in.)\u003cbr\u003eWeight: approx. 500 g (1.1 lbs)","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":15315903021167,"sku":"FTT-EFS-4","price":129.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/1039ace557788f04b958a0c8b9c14bf8.jpg?v=1553155836"},{"product_id":"free-the-tone-jb-21-signal-junction-box","title":"FREE THE TONE JB-21 Signal Junction Box","description":"This signal junction box has been made by Free The Tone as a custom product for some time. A great many musicians use this product on their pedal boards or in their racks. To provide highest sound quality and user-friendliness, Free The Tone makes full use of its expertise and know-how gained from its experience of more than 10 years in designing and building custom products.\u003cbr\u003eThe JB-21 is a passive type junction box for interfacing two audio signal lines and one digital signal line (DIN 7-Pin connector) such as MIDI or the ARC-3 Link. The JB-21 facilitates wiring within your pedal board or rack and can reduce the time required for setting up.Both the INPUT and OUTPUT jacks are interconnected to the corresponding terminals with the same names and you can use both INPUT jacks on the front\/back sides as INPUTs.\u003cbr\u003e\u003cbr\u003eWhy Are Signal Junction Boxes Required?\u003cbr\u003e• Wiring between the devices is simplified and setup time can be shortened.\u003cbr\u003e• Damage to cables and plugs can be reduced by using a junction box as an interface rather than connecting cables directly to effectors or similar devices packed in a narrow space within a pedal board.\u003cbr\u003e\u003cbr\u003eMain Specifications\u003cbr\u003e\u003cbr\u003eTerminals: 4 x Standard 1\/4″ phone jack (mono), 2 x DIN 7-pin connector\u003cbr\u003eDimensions (W x D x H, incl. protrusions such as jacks): 100 x 55 x 34 mm\u003cbr\u003eWeight: approx. 210 g","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":15315911311471,"sku":"FTT-JB-21","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/72e86a5dfc1699ddf08de5526b7e3c5d.jpg?v=1553143226"},{"product_id":"keeley-guitarist-limiting-amplifier","title":"KEELEY Guitarist Limiting Amplifier","description":"\u003cp\u003eThe Keeley Compressor GC-2 Limiting Amplifier. The same great professional compression\/limiting technology available in our Bassist Limiting Amplifier, for musicians and compressor fans of all kinds!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrecision Compression\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Keeley Compressor GC-2 Limiting Amplifier provides true high-fidelity compression and limiting.\u003c\/p\u003e\n\u003cp\u003eThe Keeley Compressor GC-2 Limiting Amplifier is built around the exotic and extremely high-fidelity THAT Corp. 4320.  Think of it as very musical studio-grade compressor in stomp box format!  It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra-high performance op-amps to bring you the very best quality. This type of compressor gives you precise control and very musical results. This along with a full frequency range means that the GC-2 Limiting Amplifier compressor is well suited for guitar, keyboards, drum machines and, really, anything you can throw at it. The Keeley GC-2 Limiting Amplifier is both musical and transparent.  Where our older compressors were based on the CA3080 or the LM13700 and are perfect for that “Compressor Effect” and are still in use by tens of thousands of players, the new Keeley GC-2 is a different style compressor, aimed at being the ultimate in low noise and transparency.  Not only can it handle astonishingly large signals, but it has an incredible bandwidth of over 20 KHz.  No detail in your guitar’s tone will be lost.  The Keeley GC-2 will be a sound investment in your tone–you now have genuine rack-mount quality at your feet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompression and Threshold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen musicians use the new Keeley Compressor GC-2, they will be greeted with a sound that is more easily amplified and heard.  Using the effect as a \u003cem\u003elimiting amplifier\u003c\/em\u003e saves your speakers from clipping and distortion.  Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers.  Simply watch the Threshold Indicator light to see what type of playing you want to limit; it’s that easy!  Next, set the Compression Ratio Control to determine how much squash you want when the signal is above Threshold.  Set Compression all of the way down (1:1) for no compression and use the Gain control as a boost.  Set Compression all of the way up for an above-Threshold, hard-knee limiter.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttack and Release\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere is a certain figure that just sounds good as far as compression goes, and that’s 125 dB\/second.  With feed-forward compressors that use this type of true-RMS detector you use a single time-constant parameter.  The timing capacitor gives you attack and release times that are adaptive to your playing level or the signal input to the compressor.  Bottom line: Attack and Release times vary on program content.  Attack times are, generally speaking, \u003cem\u003eabout\u003c\/em\u003e 100 times faster than release times.\u003c\/p\u003e\n\u003cp\u003eAttack Time: typically 15ms for 10dB, 5ms for 20dB, 3ms for 30dB\u003c\/p\u003e\n\u003cp\u003eRelease Time: typically 8ms for 1dB, 40ms for 5dB, 80ms for 10dB, 160ms for 20dB, 240ms for 30dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVoltage Input: 9V\u003c\/li\u003e\n\u003cli\u003eCurrent Draw: 50mA\u003c\/li\u003e\n\u003cli\u003eInput Impedance 1 Meg ohm\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 100 ohm\u003c\/li\u003e\n\u003cli\u003eOutput Voltage Gain: +30dB Boost\u003c\/li\u003e\n\u003cli\u003eBandwidth \u0026gt; 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AUTO\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eTHRESHOLD Control and LED\u003c\/strong\u003e – This is probably the most important control on the Comp Pro.  It is adjusted to determine when the compressor is working or when sound is being passed through unaffected.  The Threshold control is turned down or CCW until the THRESHOLD LED turns Red as you play your instrument.  When the THRESHOLD LED turns Red the Comp Pro is actively compressing your signal.  If the LED is Green, the Comp Pro is not compressing and sound is passed through unchanged.\u003c\/p\u003e\n\u003cp\u003eRange of Adjustment is from -50dBu to +10dBu.  2.45mVRMS to 2.45VRMS – Pro Audio (studio) Levels are +4dBu Consumer Audio Levels are -10dBu.  Passive guitar or bass pickups are typically about -25dBu to 2.5dBu.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRATIO Control\u003c\/strong\u003e – “the Compression Knob”, Ratio is the amount of compression you set the Comp Pro for.  You can set it from No Compression (1:1) when all of the way off or CCW.  You can set it as high as Infinite Compression (∞:1) which means that the output level will never increase in output level no matter how loud the input.  This type of setting can be used for hard-limiting to protect recording or speakers or in some cases for guitar effects like chicken-pickin’.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eATTACK Control\u003c\/strong\u003e – Attack Times between 0.15ms and 150ms.  Controls the time it takes for the Comp Pro to start compressing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRELEASE Control\u003c\/strong\u003e – Release Times between 0.1s to 3s.  Controls the time before the Comp Pro releases or stops compression .\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN Control\u003c\/strong\u003e – This is the output level of the compressor.  It does not affect the compression controls like THRESHOLD, RATIO, ATTACK or RELEASE.  It is for make-up gain if you set for heavy compression gain reduction.  +20dB of boost is possible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKNEE Switch\u003c\/strong\u003e – Hard Knee\/Soft Knee.  Hard Knee Compression follows a hard fast rule: If THRESHOLD is met, then Compress at this RATIO.  Soft Knee is Komfort Kompression.  It’s a way to keep compressed guitar or instrument parts sounding lively and dynamic, without the “blanket” of compression found in many types of compressors.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUTO Switch\u003c\/strong\u003e – OFF\/ON – Set to ON in most cases for automatic setting of Attack and Release Times.  This will sound natural and work in a very large number of cases.  The Comp Pro looks at the input signals like guitar, bass, vocals or drums and determines the correct attack and release times depending on what you’re playing and what signal levels are being detected.\u003c\/p\u003e\n\u003ch2\u003eGood Compression Settings\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSMOOTHING\u003c\/strong\u003e – Changes in signal level happen when the singer moves away from the microphone or when a guitar player may not use perfect technique in controlling their dynamics, i.e. less than perfect picking hand technique.  To smooth changes in dynamics use the Comp Pro for low to medium compression.  Set AUTO Switch to ON.  Adjust the Compression RATIO Control to 2:1 to 4:1 for example.  Set the Gain Reduction LEDS by adjusting the THRESHOLD Control to indicate 3-9 dB of gain reduction on the 7 Segment LED Bar.  Adjust GAIN Control if needed.  Set KNEE Switch to SOFT.  Now play slow and steady chord work, list to how toggling the KNEE switch back and forth Hard\/Soft affects your tone and the attack or punch of the notes as well as the release.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSUSTAIN\u003c\/strong\u003e – To add sustain to guitars or keyboards start with a higher Compression RATIO setting for example 10:1 to ∞:1,  Set THRESHOLD Control so that THRESHOLD LED turns Red for average level of your guitar or performance, the LED stays red about half the time.  You can set the KNEE Switch to HARD or SOFT, SOFT may seem more transparent.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCHICKEN PICKING COMPRESSION\u003c\/strong\u003e – Set RATIO Control to 5:1 to 10:1, a quick RELEASE Time of .5s to 1s. ATTACK Time for quick attack 10-50ms and THRESHOLD Control set to give you 9-12dB of Gain Reduction\/Compression on the 7-Segment COMPRESSION LED Array.  This will typically give you compression artifacts or effects like a breathing or pumping sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBASS BOOM AND SLAP\u003c\/strong\u003e – For a punchy bass guitar sound set the Comp Pro for a medium to high Compression RATIO (6:1 to 10:1) and adjust the THRESHOLD so that the -12dB and sometimes -20dB COMPRESSION LEDs are lit while playing.  Set KNEE to Hard mode.  That will make the bass punchy and slap a bit harder, reducing boominess.  Try Soft KNEE for a a different feel.  Set AUTO On.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePREVENT DIGITAL DISTORTION\u003c\/strong\u003e – Set Keeley Compressor Pro as a \u003cstrong\u003e\u003cem\u003eHard Limiter\u003c\/em\u003e\u003c\/strong\u003e by turning RATIO control all of the way up to Infinity to One compression ratio.  Set KNEE for Hard. By adjusting the final Gain level to your clipping lights on the digital recorder, you can insure you won’t ruin recordings or get unwanted distortions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPEAKER PROTECT (Concerts, Churches, Sound Systems and P.A.s)\u003c\/strong\u003e – You can use the compressor as above as a Hard Limiter.  If when playing you hear distortions from your sound reinforcement equipment you can reduce the THRESHOLD, increase RATIO, and reduce GAIN to achieve perfect results.  This is where it might be nice to use your Keeley Compressor Pro as the last effect in your signal chain as it can prevent different effects from getting too loud or being added together to drastically increase output volume.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNEVER LEAVE HOME WITHOUT YOUR KEELEY COMP PRO\u003c\/strong\u003e – The Compressor Pro makes the perfect booster or driver for your rig!  You can always set the RATIO control for 1:1 compression (otherwise known as No Compression) and use the GAIN to push your amp, pedals, speakers, or other guy out of the way!  Once you have learned your new Comp Pro there will never be a reason not to use it.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4juGXEpke7I\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":15317233565807,"sku":"KEE-COMP-PRO","price":409.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/99b0fcdda8476296cc2c1d97e9021318.jpg?v=1553149780"},{"product_id":"keeley-aurora-reverb","title":"KEELEY Aurora Reverb","description":"\u003cp\u003eTurn down the lights, turn up the spectrum…\u003c\/p\u003e\n\u003cp\u003eJoin Keeley Electronics’ grand entrance into the hallowed halls of psychoacoustic processing–the Aurora Reverb. From the distant echo of cathedrals to 600 pound sheet-metal plate vibrations to spring reverb coils in a tank, reverb captures our imaginations and plunges us deeply into our musical psyches.  Few effects complement a guitar better than reverb.\u003c\/p\u003e\n\u003cp\u003eAt Keeley Electronics, the Aurora Reverb had to meet certain specific criteria. It had to be affordable with no compromise to audio quality. It had to be easy for guitarists to use and be inspiring. And it had to offer the essentials for tailoring your tone without a dozen knobs to learn. Now achieved, we are proud to offer a true bypass, 100% dry analog path, low noise, 24 bit, high-fidelity reverb processor. AND IT SOUNDS GREAT! In fact, when asked if it offered “trails,” I couldn’t help but think, why do you need trails for a pedal you won’t want to turn off?\u003c\/p\u003e\n\u003cp\u003eThe following controls offer everything from pristine fast reflections to ethereal spaces to deep, dark, and endless caverns.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDecay:\u003c\/strong\u003e Decay controls the amount of time it takes for the reverberated sound to disappear. Ours provides a range from a realistic, close-quarters reverberated dimension to a walk-away-and-come-back signal of complex, still-ringing musical reflections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSlapback\u003c\/strong\u003e: Slapback is what we call predelay. Predelay creates distance. How soon or late you hear the first reflection is crucial to crafting the reverberated space. Sometimes you do not want any delay between your note and the reverb. And sometimes, for clarity’s sake, you want the reverb to wait a moment before joining the dry signal. Such a setting would enable short, staccato, single-syllable type expressions to finish articulating before being suffused AND being joined by the tail-end of previously reverberated sounds. But when the illusion of infinite space is required, set your Slapback to zero and you’ll streak vividly away like Dr. David Bowman breaking free of Jupiter’s gravitational pull. The Keeley Aurora Slapback setting provides you with a sufficient range of time, from zero milliseconds to 100 milliseconds, ample time considering a pedal-board footprint this small.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarmth:\u003c\/strong\u003e Dial up the warmth. Opposite to most tone controls, ours increases the warmth, as it is a dampening control. Its brightest setting is when completely dialed down.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlend:\u003c\/strong\u003e Blend will take your 100% analog dry signal and blend in the reverb, from just the slightest mix of wet to much more. Because the Keeley Aurora Reverb is a pedal-board unit, we suggest you place it at the end of your pedal chain and use the Blend Knob to tailor your sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Toggle Switch:\u003c\/strong\u003e The three most popular reverb styles that don’t come built into your amplifier are Room, Plate, and Hall. In the smallest footprint possible, we offer what used to take up entire city blocks or an entire studio room. You can achieve cathedral resonance, enormous surface areas of sheet-metal plate sounds, or convincing room decays. Room sizes range from something like a broom closet to that of a barn. (And I also want to add that careful adjustments to the Room settings yield a signal bordering on the verge of spring reverb, so if your amp doesn’t already have a tank, we’ve got you covered.)\u003c\/p\u003e\n\u003cp\u003eAll in all, the Keeley Aurora Reverb promises to provide the essentials guitarists are looking for when they need reverb on their pedal boards. Like that ethereal glow to the mighty Earth herself, Aurora creates a natural halo of sound in the atmosphere of your magnificent core tone.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ykDROBh57Go\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":15317236056175,"sku":"KEE-AURORA","price":259.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/e3dab221119f10b5bcaab96317e202ab.jpg?v=1553144393"},{"product_id":"keeley-dyna-trem-dynamic-tremolo","title":"KEELEY Dyna Trem Dynamic Tremolo","description":"\u003cp\u003eEasily our most addictive Vibe tone!\u003c\/p\u003e\n\u003cp\u003eThe DynaTrem Dynamic Tremolo by Keeley Engineering is an all new type of tremolo that is dynamic and responsive to your playing.   Your playing controls the Rate and Depth.  The harder you play, the more it responds.  Play softly and it relaxes.  Set the sensitivity with Rate or Depth controls and you have an unparalleled ability to be expressive with your guitar and tremolo.\u003c\/p\u003e\n\u003ch3\u003eTone Trio – Three Modes\u003c\/h3\u003e\n\u003cp\u003eDynamic Rate – Your playing strength controls the Rate.  The harder you play, the faster it modulates!  Relax and play softly and the tremolo almost stops.\u003c\/p\u003e\n\u003cp\u003eDynamic Depth – Play gently and it just barely throbs.  Play aggressively and it and pulse hard and deep.\u003c\/p\u003e\n\u003cp\u003eHarmonic Tremolo + Reverb Mode.  Yes that phaser\/vibey, soulful and sweet sound!  We have crafted our own circuits to give you a sound that is sinfully good.  Slippery and smooth, you won’t want to gig without it. Add Reverb by adjusting the SHAPE control\u003c\/p\u003e\n\u003ch3\u003eWave Table\u003c\/h3\u003e\n\u003cp\u003eWith a spin of the SHAPE control you get 4 wave-forms:  Ramp Up, Sine Wave, Ramp Down, and Square Wave.\u003c\/p\u003e\n\u003cp\u003e4th Mode! All DynaTrems after serial number 300 have a hidden feature mode: Stadard Tremolo  Turn the Shape knob all of the way down and it become a standard triangle wave tremolo in the Delta Rate or Delta Depth modes.  Call us for a free upgrade if yours does not have this feature.\u003c\/p\u003e\n\u003cp\u003eOr, when in Harmonic Tremolo Mode the Shape control is Reverb!\u003c\/p\u003e\n\u003ch3\u003eOther Features\u003c\/h3\u003e\n\u003cp\u003eIntegrated noise reduction – developed with the code to reduce noise swells common with tremolo circuit, you get the quietest effect possible.\u003c\/p\u003e\n\u003cp\u003eOutput Volume Control – Can be set for a boost for stand out effect.\u003c\/p\u003e\n\u003cp\u003eTrue-Bypass – No tone loss when off\u003c\/p\u003e\n\u003cp\u003eBattery Free – Any standard 9 volt, negative tip power supply will work, like a Voodoo Lab Pedal Power II.  60mA or greater.\u003c\/p\u003e\n\u003cp\u003eKeeley Engineered – Decades of audio experience and design.\u003c\/p\u003e\n\u003cp\u003eThe DynaTrem Dynamic Tremolo features killer graphics!  Looks like an old tube amp or old tube radio.  Tone to match too!\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AILQY9bJxSI\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":15317243396207,"sku":"KEE-DYNATREM","price":279.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/keeley-dynatrem.jpg?v=1553158257"},{"product_id":"greer-amps-sucker-punch","title":"GREER AMPS Sucker Punch","description":"\u003cp\u003eThe Sucker Punch Distortion is what happens when Nick decides to design a high gain pedal. This pedal uses a JFET preamp to drive a 386D chip amp section. The gain that is on tap is reminiscent of some of the early JCM amps, with tons of volume on tap, and a tone control that has a very wide sweep, from thick to cutting. If you're looking for JCM type tones, this pedal will get you the gain you're looking for, and will help you cut through the mix, to get above your loud drummer!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFace melting tone!\u003c\/li\u003e\n\u003cli\u003eJFET gain stage driving chip amp section!\u003c\/li\u003e\n\u003cli\u003eJCM-amp type distortion!\u003c\/li\u003e\n\u003cli\u003eHuge amount of volume on tap!\u003c\/li\u003e\n\u003cli\u003eWide tone sweep, for thick or cutting settings!\u003c\/li\u003e\n\u003cli\u003eTrue Bypass!\u003c\/li\u003e\n\u003cli\u003eUses 9Volt battery or standard neg. center, 2.1mm power supply.\u003c\/li\u003e\n\u003cli\u003eBuilt with top quality components.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/UeK20c6gT5s\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Greer Amps","offers":[{"title":"Default Title","offer_id":15317841084527,"sku":"GREER-SUCKER","price":179.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/a7240e19bf3d7e4bb4c94ca06bb3e712.jpg?v=1553142491"},{"product_id":"greer-amps-tarpit-ic-fuzz-machine","title":"GREER AMPS Tarpit IC Fuzz Machine","description":"\u003cp\u003eThe TarPit Integrated Circuit Fuzz Machine is the newest release from Greer Amps. This pedal was created out of the desire to have the sound and feel of a vintage Muff style fuzz, with grit, and grind that will sustain for days. Based on the vintage Big Muff Pi variant that utilizes two integrated circuits, with some Greer Amps tweaks (\u003cspan\u003enot\u003c\/span\u003e the standard 4 transistor version), the Tarpit has all of the sounds that one might expect from a Muff style fuzz, and so much more.\u003c\/p\u003e\n\u003cp\u003eThe Tarpit is built in a rugged powdercoated aluminum enclosure, with printed graphics, designed by Nick DePartee (an awesome graphic designer, and former guitarist for the band Kutless). We chose the most awesome metallic blue powdercoat color that we could track down, and had the graphics set in black and white. The Tarpit features custom Oxblood control knobs by Davies (these knobs are currently available in a limited supply).\u003c\/p\u003e\n\u003cp\u003eWith the Sustain control set low, the Tarpit can get dark, and spitty, with a low gain, almost gated feel. Increasing the Sustain control has a double effect—the Tarpit gets slightly brighter, and the fuzz, sustain, and harmonics all increase. The wide sweep tone control brings a new level of versatility to the Tarpit. Turning the tone control down cuts treble, and boosts bass frequencies; setting the tone control in the middle, or slightly above, allows for full guitar and bass frequencies to come out. If you want to get really crazy, push the tone control higher, and you’ll get into some AM radio type frequencies. The volume control utilizes a slightly later taper on the potentiometer. We did this in an effort to allow the user to get their awesome sustain and fuzz at lower volumes when needed…never fear, though, the Tarpit can get as loud as you need it to!\u003c\/p\u003e\n\u003cp\u003eThe Tarpit can run off of a battery, or a standard 2.1mm, negative center pin power supply. We placed the in and out jacks along the top of the pedal, as well as the DC jack, in an effort to help with pedalboard layout. The output jack is closest to the volume control.\u003c\/p\u003e\n\u003cp\u003eThe Tarpit features Greer Amps’ lifetime warranty, to the original owner, and is built like a tank. We utilize a custom fabricated board that is over engineered, so that you don’t have to worry about your pedal letting you down. The two integrated circuits are mounted in chip sockets, so if anything ever happens to the chips, they can easily be replaced.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eON TOUR AND IN STUDIO WITH DWEEZIL ZAPPA, \u003c\/span\u003e\u003cspan\u003eJIMBO HART (BASS PLAYER FOR JASON ISBELL), \u003c\/span\u003e\u003cspan\u003eLAUR JOAMETS (GUITARIST FOR STURGILL SIMPSON), AND MANY MORE!\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVintage Muff tones, ranging from spitty fuzz to over the top sustain!\u003c\/li\u003e\n\u003cli\u003eWide sweep tone control, for boosted bass tones, or peaked out highs!\u003c\/li\u003e\n\u003cli\u003eBased on a rare, vintage Big Muff Pi, utilizing two IC's, instead of the normal transistorized version!\u003c\/li\u003e\n\u003cli\u003eBeautiful blue metallic powdercoated enclosure!\u003c\/li\u003e\n\u003cli\u003eBlack and white printed graphics, designed by Nick DePartee (former guitarist for Kutless)!\u003c\/li\u003e\n\u003cli\u003eLimited Oxblood colored Davies control knobs!\u003c\/li\u003e\n\u003cli\u003eHand wired in Athens, GA!\u003c\/li\u003e\n\u003cli\u003eTrue Bypass!\u003c\/li\u003e\n\u003cli\u003eUses 9Volt battery or standard neg. center, 2.1mm power supply.\u003c\/li\u003e\n\u003cli\u003eBuilt with top quality components.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7f1KYo_AKeo\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Greer Amps","offers":[{"title":"Default Title","offer_id":15317858451567,"sku":"GREER-TARPIT","price":269.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/greer-tarpit.jpg?v=1553154629"},{"product_id":"mission-engineering-delta-iii","title":"MISSION ENGINEERING Delta III","description":"The Mission Delta III is a flexible distortion pedal capable of a wide range of tones from boost, through TS style overdrive to fuzz. Delta III features a three transistor all analog audio circuit, and quiet digital switching. A high quality output buffer ensures compatibility with other pedals making Delta III a fuzz pedal that’s usable in just about any rig.  \n\u003cul\u003e\n\u003cli\u003eMission Tri-Stage distortion ranging from boost to overdrive to fuzz\u003c\/li\u003e\n\u003cli\u003eAll analog audio path\u003c\/li\u003e\n\u003cli\u003eIsolated digital bypass. Fast and quiet switching with soft touch button\u003c\/li\u003e\n\u003cli\u003eHi and Lo range EQ controls\u003c\/li\u003e\n\u003cli\u003eCompatible with wide range of instruments\u003c\/li\u003e\n\u003cli\u003eCan be placed anywhere in signal chain\u003c\/li\u003e\n\u003cli\u003eAll aluminum construction, weighs just 12oz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe basis of the pedal is a three transistor distortion circuit. The third transistor forms an output buffer that improves compatibility with other pedals, allowing the Delta III to be used with a wide variety of instruments and signal chains. Unlike many distortion boxes, the Delta III is not overly sensitive to where it is placed on your pedal board and can be used with active pickups, basses, and with buffered pedals. The voltage bias of the transistors has been adjusted for optimal response as the signal decays, allowing smooth distortion sounds even from very high or low signal inputs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Delta III has two separate EQ controls creating a huge tone shaping capability. The Lo Range EQ control allows you to fatten up the fuzz tone without getting too flubby. The Hi Range control will let you roll off some of the high end to prevent harshness. Proper adjustment of these two controls allows a very wide choice of sounds from full frequency response to a mid-range lead boost.\u003c\/p\u003e\n\u003cp\u003eThe Delta III is very touch sensitive, cleaning up with reduced volume or pick attack, and more aggressively clipping as you play harder. It has also been designed to work with the fuzz compatible Mission VM-PROand V-BOOST pedals in front, allowing you to create pedal controlled variable distortion.\u003c\/p\u003e\n\u003cp\u003eThe gain knob controls the character of the distortion:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOff position\u003c\/strong\u003e – The pedal behaves as a boost. Use volume and EQ controls to set boost parameters.\u003cbr\u003e\u003cstrong\u003eMid range\u003c\/strong\u003e – TS style overdrive and crunch tones.\u003cbr\u003e\u003cstrong\u003eHigh positions\u003c\/strong\u003e – Fuzz tones.\u003c\/p\u003e\n\u003cp\u003eThe microcontroller managed relay bypass system provides soft-touch on\/off with fast and quiet switching operation. Engaging and bypassing the effect happens in a few milliseconds. The soft touch switch is much quieter than a typical latching switch, so no nasty clicks and pops when you turn the effect on and off. Digital switching is also much more reliable ensuring your pedal will continue to consistently switch for many years to come.\u003c\/p\u003e\n\u003cp\u003eDelta III features a red anodized aluminum chassis weighing just 12oz, top mounted jacks for easy pedalboard setup, four aluminum knobs for volume, gain, Lo EQ and Hi EQ, and a blue status LED.\u003c\/p\u003e","brand":"Mission Engineering","offers":[{"title":"Default Title","offer_id":15318154543215,"sku":"MISS-DELTA","price":179.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/193a9cfc628d74f5be51836c5337a05c.jpg?v=1553152309"},{"product_id":"skreddy-pedals-cephalopod","title":"SKREDDY PEDALS Cephalopod","description":"\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eThe Skreddy Pedals™ \u003cem\u003eCephalopod\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e is not a troublesome or ill-tempered octave effect. It does not require you to roll back your guitar's tone knob in order to track your notes. Dig in and let it fly! Best pure octave results are achieved using your neck pickup and playing up around the 12th fret region, but you might enjoy using it on chords and riffs with your bridge pickup, too.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\" style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000; font-size: large;\"\u003e\u003cstrong\u003eOctave You Don't Have to Work For\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\" style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003eNot nasty or clangy sounding; just pure octave-up driven by a warm, sustaining germanium fuzz. Super easy learning curve; clean up your picking technique a little bit, and you're in business.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\" style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003eFeatures a silicon impedance-matching input stage which makes it play nice anywhere in your signal chain and lets the germanium fuzz sing regardless of buffers, etc.\u003c\/span\u003e\u003c\/p\u003e","brand":"Skreddy Pedals","offers":[{"title":"Default Title","offer_id":15318178398319,"sku":"SKR-CEPH","price":229.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/d372bcf28094da51a94258c83201a191.jpg?v=1553153756"},{"product_id":"one-control-tri-loop","title":"ONE CONTROL Minimal Series Tri Loop","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTwo effect loops in one compact pedal. At One Control, we produced a loop box with two simple operations under the theme of “compact, simple, and easy to use,” and it has been very well received. The Black Loop and White Loop have been made even simpler, and are the new incarnation of the Minimal Series.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e One Control has secured even more functionality, and developed a 2-loop box that exists on a whole new level of effect tools. Introducing the One Control Tri Loop.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eIn addition to the Black Loop and White Loop function, a BJF Buffer was installed. We also gave it the ability to control various devices and act as a sort of control tower. So there is the Black, White, and control tower functions. These three elements are expressed in the name, Tri Loop, and are proof of this monumental achievement of a 2 loop box.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"paragraph\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eSize: 118Wx64Dx50H mm \/ 4.65Wx2.52Dx1.96H In.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eWeight: 250g \/ 8.8 oz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003ePower: 100mA\u003c\/span\u003e\n\u003c\/div\u003e","brand":"One Control","offers":[{"title":"Default Title","offer_id":15318281945199,"sku":"ONE-TRI","price":149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/one-control-minimal-triloop.jpg?v=1676427894"},{"product_id":"death-by-audio-waveformer-destroyer","title":"DEATH BY AUDIO Waveformer Destroyer","description":"\u003cp\u003e\u003cspan\u003e8 Different internally customizable distortions selectable by a combination of 4 foot switches. Once selected via internal DIP switches the fuzz's are always the same so you can go back time and time again on your favorite fuzz sounds. This gives you a ton of fuzz, overdrive, distortion sounds you will become addicted to.\u003c\/span\u003e\u003c\/p\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":15318882418799,"sku":"DBA-WAVE","price":349.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/c0fa643e6b065449309da7d249951aa4.jpg?v=1553149896"},{"product_id":"recovery-effects-bad-comrade-mkii","title":"RECOVERY EFFECTS Bad Comrade V3","description":"\u003cp class=\"paragraph_style_1\"\u003e(Glitch, Pitch, Slice and Dice)\u003c\/p\u003e\n\u003cp class=\"paragraph_style_1\"\u003eNEW! Now available in a red enclosure.\u003c\/p\u003e\n\u003cp class=\"paragraph_style_1\"\u003eIs is a distortion pedal? Is it a ring modulator? Delay? Call it the Bad Comrade, the world’s first hand-wired glitch, pitch, slice and dice pedal. For the adventurous guitarist (or anyone wielding a 1\/4” jack) that craves unthinkable tones, the Bad Comrade lets you distort, modulate, glitch and slice on the fly.\u003c\/p\u003e\n\u003cp class=\"paragraph_style_2\"\u003eThe Bad Comrade is hand wired in Seattle, Washington. True bypass, chrome plated LED, lead-free solder.\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"style_5\"\u003eIt operates on a standard Boss style 9vdc power supply (not included).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"paragraph_style_2\"\u003e\u003cspan class=\"style_5\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/aWgkh2iufVI\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Recovery Effects","offers":[{"title":"Default Title","offer_id":15319252205679,"sku":"RECOVERY-BADCOMRADE","price":259.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/recovery-badcomrade-red.jpg?v=1670323154"},{"product_id":"recovery-effects-cutting-room-floor","title":"RECOVERY EFFECTS Cutting Room Floor V3","description":"\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003e\u003cb\u003e\u003cspan\u003e(Vintage Reel-to-Reel Tape, Echo, and Stutter)\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003eThe Cutting Room Floor has been updated and now has separate controls over the saturation of the input signal and tape delay signal. With this change, it’s possible to have any amount of emulated tape saturation on the input signal and an adjustable tape delay level.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003eHoused in a smaller, compact footprint, the Cutting Room Floor V3 provides beautifully marred saturated tape tone and ethereal repeats. Imagine an abandoned factory with a fluttering tape machine left on infinite replay.\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003eThe Cutting Room Floor was designed to emulate the sound and functionality of vintage reel-to-reel tape overdrive and echo. This pedal reaches into the 21st century with characteristics that traverse the world of modulation and delay. Other features include a freeze button that traps a tone while still playing, and expression\/CV control for time.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003e- 150ma current draw\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003e.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\"\u003e\u003cspan\u003eDesigned and assembled in Seattle, Washington.\u003c\/span\u003e\u003cspan\u003e O\u003c\/span\u003e\u003cspan\u003eperates on a standard 9Vdc Boss-style power supply (not included). Includes a one-year limited warranty if registered within 30 days of delivery.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan color=\"#000000\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"_04xlpA direction-ltr align-center para-style-body\"\u003e\u003cstrong\u003e\u003cspan class=\"S1PPyQ\"\u003eNew in V3:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"_04xlpA direction-ltr align-center para-style-body\"\u003e\u003cspan class=\"S1PPyQ\"\u003e- Independent control of the tape saturation and tape delay levels\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_04xlpA direction-ltr align-center para-style-body\"\u003e\u003cspan class=\"S1PPyQ\"\u003e- High-quality knobs with textured grip\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_04xlpA direction-ltr align-center para-style-body\"\u003e\u003cspan class=\"S1PPyQ\"\u003e- Tape reel design lights up when the pedal is on\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_04xlpA direction-ltr align-center para-style-body\"\u003e\u003cspan class=\"S1PPyQ\"\u003e- Better layout of the knob placement\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_04xlpA direction-ltr align-center para-style-body\"\u003e\u003cspan class=\"S1PPyQ\"\u003e- Smaller 125B enclosure (4.77\" x 2.6\" x 1.39\")\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_04xlpA direction-ltr align-center para-style-body\"\u003e\u003cspan class=\"S1PPyQ\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uFWd7XjAqkk?si=EiNbrP0DIRQN5JkA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Recovery Effects","offers":[{"title":"Default Title","offer_id":15319276093551,"sku":"RECOVERY-CUTTING","price":359.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/files\/recovery-cuttingroomfloorv3.jpg?v=1697706351"},{"product_id":"recovery-effects-sound-destruction-device","title":"RECOVERY EFFECTS Sound Destruction Device V3","description":"\u003cp class=\"paragraph_style_1\"\u003e(Sonic Destruction, Filter, and Oscillation)\u003c\/p\u003e\n\u003cp class=\"paragraph_style_2\"\u003e\u003cspan class=\"style_5\"\u003eTotal sonic destruction tool for guitar, or anything with a 1\/4″ jack you want to plug into it. It distorts, filters, oscillates, glitches, clips, and does things to your instrument that naturally should not happen. \u003c\/span\u003e\u003cspan\u003eS\u003c\/span\u003e\u003cspan\u003euper thick fuzz, starved splatt\u003c\/span\u003e\u003cspan\u003eer\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eand\u003c\/span\u003e\u003cspan\u003e wild oscillation\u003c\/span\u003e that can be controlled with an expression pedal. The Sound Destruction Device is unlike anything you’ve ever heard.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"paragraph_style_2\"\u003e\u003cspan class=\"style_5\"\u003eThe Sound Destruction Device is hand-wired in Seattle, Washington. True bypass, chrome-plated LED, and lead-free solder. It operates on a standard Boss style 9vdc power supply (not included).\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hF9qTw96EBw\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Recovery Effects","offers":[{"title":"Default Title","offer_id":15319279206511,"sku":"RECOVERY-SOUNDDESTRUCT","price":299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/recovery-sound-destruction-device.jpg?v=1581397732"},{"product_id":"free-the-tone-mc-3-midi-controller","title":"FREE THE TONE MC-3 Midi Controller","description":"\u003cp\u003e\u003cspan\u003eThe MC-3 is an easy-to-use, compact programmable MIDI controller which operates in two modes: Mode-1 (program change number send mode) and Mode-2 (preset mode). In Mode 1, the program change number is selected by pressing the left or right footswitch and the number to be sent is determined by the center footswitch. You can select a channel from channels 1–16 and send a program change number from 1–128. In Mode-2 (preset mode), the desired program change number or control change number can be assigned and programmed to one of the three footswitches, and then can be sent. The MC-3 also supports control change number sending and therefore it can be used not only in various applications such as program recalling on a connected device but also as a Tap tempo entry controller for an effects unit or as a channel switching footswitch for a MIDI amplifier.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eMAIN FEATURES\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cul class=\"first-child only-child last-child\"\u003e\n\u003cli\u003eCompact programmable MIDI controller easy to use\u003c\/li\u003e\n\u003cli\u003eWhen in Mode-1 (program change number send mode), any channel can be selected from channels 1–16 for sending of a program change number (1–128).\u003c\/li\u003e\n\u003cli\u003eWhen in Mode-2 (preset mode), control change numbers can be selected in addition to program change numbers, enabling more flexible sound system creation.\u003c\/li\u003e\n\u003cli\u003eWith support for control change number sending, the MC-3 can be used in a wide variety of applications including as a tap tempo entry controller for an effects unit or a channel switching footswitch for a MIDI amplifier.\u003c\/li\u003e\n\u003cli\u003eCan be powered by a 9-volt battery (006P) or a standard 9 VDC AC adapter.\u003c\/li\u003e\n\u003cli\u003e*Estimated operating time in normal use – manganese battery: approximately 10 hours; alkaline battery: approximately 35 hours.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch4\u003eMAIN SPECIFICATIONS\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cul class=\"first-child only-child last-child\"\u003e\n\u003cli\u003eTerminal: MIDI OUT (DIN 5-pin connector)\u003c\/li\u003e\n\u003cli\u003ePower supply: 9 V battery (006P) or AC adapter\u003c\/li\u003e\n\u003cli\u003eConsumption current: max. 25 mA \/9 VDC\u003c\/li\u003e\n\u003cli\u003eDimensions (W x D x H, incl. protuberances such as footswitches): 120 x 95.7 x 54.1 mm (4.72 x 3.77 x 2.13 inches)\u003c\/li\u003e\n\u003cli\u003eWeight (excl. battery): approx. 315 g (0.69 lbs)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":15319572873327,"sku":"FTT-MC3","price":199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/ac2b9e8c4e0ec915572e631cc2b24182.jpg?v=1553160473"},{"product_id":"jhs-muffuletta","title":"JHS Muffuletta","description":"\u003cp\u003eThe Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but we couldn’t come to a consensus about which Muff was king. With the Muffuletta, our indecision is your gain. We crammed five all-analog re-creations of the pedal’s most beloved tones into this box. We even threw in a JHS-exclusive tone that is our take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFive tones inspired by these classic Big Muffs: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- JHS - \"2015\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe JHS Muff is a JHS original take on the classic circuit. You will find this version more powerful and less compressed, with a more haunting midrange. It is also the best for bass guitar.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- ‘73 Rams Head - “1973-1977 V2”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ‘73 Rams Head gets its name for the strange little face that appears on the lower right corner of the original pedal. It is best known for having a scooped midrange, less gain, and being darker.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: David Gilmour (main Pink Floyd recordings), Ernie Isley (Isley Brothers), and J. Mascis (Dinosaur Jr.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- The Triangle - “1969-1970 V1”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Triangle Muff is so named for the triangle arrangement of the knobs. It boasts more low-end response while being more articulate.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: Santana, David Gilmour's Pete Cornish-made pedalboards, John Lennon, Kevin Shields (My Bloody Valentine), and possibly Jimi Hendrix.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- The Pi - “1977-1978 V3”\u003c\/strong\u003e An instantly recognizable red Pi symbol gives this pedal its moniker. This is not to be confused with the later redesigned NYC version released in 2000. It features a more aggressive sound.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: \u003c\/em\u003e \u003cem\u003eFrank Zappa, Billy Corgan (Smashing Pumpkins), Jack White, The Edge (U2), Beck, and Pete Townshend (The Who).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- The Russian - \"1999-2009 V8”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Russian Muff is named by the “Made in Russia” text found on the back of the pedals. It sports less clarity and less low end than other models. A great garage-type sound.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: Dan Auerbach (Black Keys), Chris Wolstenholme (Muse), and Robin Finck (Nine Inch Nails).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- The Civil War - “1991-1993 V7”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe old-style Civil War-era font and navy and gray colors found on these pedals’ enclosures dictate their name. They are best known for having more midrange and having a brighter overall tone with less gain.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: Thurston Moore (Sonic Youth), John Fogerty, Jeff Tweedy (Wilco), Mike Mills, and Peter Buck (REM).\u003c\/em\u003e\u003c\/p\u003e\n\u003ch4\u003eWith a pedal so stuffed with tasty tones you will have a hard time needing anything else to curb your appetite.\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eThis pedal requires standard 9V DC Negative power, consumes 4mA, and measures 2.2\"x4.8\"x1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"I want to give a massive thank you to my good friend Jon Cusack and \u003ca href=\"https:\/\/www.cusackmusic.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eCusack Music\u003c\/a\u003e for helping this hefty idea be fully realized. Jon you are a wizard of circuitry and a deep well of design knowledge to the things that are over my head – Josh\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2VIprUfsTY0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":15320361730159,"sku":"JHS-MUFF","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/jhs-muffuletta-green.jpg?v=1642646678"},{"product_id":"keeley-memphis-sun","title":"KEELEY Memphis Sun","description":"\u003cdiv class=\"def-set\"\u003e\n\u003cdiv class=\"def-content\"\u003eThe new \u003cstrong\u003eMemphis Sun\u003c\/strong\u003e – Lo-Fi Reverb, Echo and Double-Tracker is our second studio themed pedal.  Like the Keeley 30ms ADT this pedal gives you a wealth of tones for capturing that classic Rock-and-Roll sound as well as sounds you’ve not heard before.  It’s NeoVintage. It’s an Echo and Reverb pedal.\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003eThink of this pedal as three different effects:\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003e\n\u003cstrong\u003eECHO 600\u003c\/strong\u003e – \u003cspan\u003eEcho for Long Delays\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003e\n\u003cstrong\u003eSUN MODE\u003c\/strong\u003e – \u003cspan\u003eAuto Track-Doubling and Slapback with Short Delays\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003e\n\u003cstrong\u003eREVERB\u003c\/strong\u003e – \u003cspan\u003eRoom Reverb – Full Studio Studio Simulation.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003eBoth of the \u003cstrong\u003eECHO 600\u003c\/strong\u003e and \u003cstrong\u003eSUN MODE \u003c\/strong\u003eeffects have a Room Reverb.  It’s a one-knob, rock and roll type of room reverb.\u003c\/div\u003e\n\u003ch3 class=\"def-content\"\u003eRoom Reverb\u003c\/h3\u003e\n\u003cdiv class=\"def-content\"\u003e The Room Reverb simulates a small 33′ by 18′ asbestos-tiled room so filled with music the sounds actually get compressed. We add a slight amount of “room compression” to the reverb; it almost lives and breathes.  We take into account the frequency response of the mics used then. The RCA 77 is loosely simulated by a group of filters including a HPF = 300 Hz and LPF = 8 kHz. Many artifacts are incorporated in our room reverb. In fact, second and third order harmonics are added to make sure it sounds\u003cem\u003e Just Right\u003c\/em\u003e.\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli class=\"def-content\"\u003e\n\u003cspan\u003e The Time Control\u003c\/span\u003e is the Pre-Delay amount: 0-150ms of pre-delay. This allows for a slapback sound as the first reflections come into focus.\u003c\/li\u003e\n\u003cli class=\"def-content\"\u003e\n\u003cspan\u003eRegen\/Mod\u003c\/span\u003e is the Tone Control: this is an active filter +\/- 10 dB and is centered around 1.1 kHz.\u003c\/li\u003e\n\u003cli class=\"def-content\"\u003e\n\u003cspan\u003eReverb Control\u003c\/span\u003e is the Depth Control for the reverberations\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSun Mode\u003c\/h3\u003e\n\u003cp\u003eLet’s Do it Twice Mama, It’s Alright!  Automatic Double Tracking (ADT) was not available in the 1950s, but we sneak it in here because it makes a wonderful sound. And, if you lengthen the time it goes right into slapback territory which is at the foundation of Country and Rock and Roll guitar sounds.  Like our \u003cstrong\u003eKeeley 30ms\u003c\/strong\u003e this pedal will do ADT.  The \u003cstrong\u003eMemphis Sun\u003c\/strong\u003e creates a vintage-voiced double-track in mono.  Your guitar playing “Gemini-Twin” in this case has a very warmed up tone.  Adjusting the Time Control lets you easily create anything from Double Tracking to Slapback with up to 180ms of dealy time.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eTime:\u003c\/span\u003e Delay Time is 0-180ms.  For Automatic Double-Tracking set this control at the second mark or lower, 0-30ms. For slapback echo 30-180ms sounds great.  The knob markers notate 0,30,60, 90, 120, 150, and 180ms\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eRegen\/Mod:\u003c\/span\u003e This is the Modulation for the ADT voice created.  Set to OFF for no Rate or Depth.  As you increase this control both the Rate and Depth of “Tape” modulation are increased.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReverb:\u003c\/span\u003e Old Rock-and-Roll Room Reverb.  RnR RR Right? Clickety Clack, RR Track.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eECHO 600\u003c\/h3\u003e\n\u003cp\u003eRock and Roll is the Devil’s music, right? Of course we made the delay time up to 666ms to simulate some unearthly echo machine that never really existed. Filtering in the Slackback Mode is done in stages. First we heavily filter the response at 1 kHz then compress the thing. Remember the concept… pack a bunch of sound in a small room and it compresses. Next we filter it again at 1 kHz!  Sounds like Rock and Roll, right? Aaron Tackett is our Rock and Roll Doctor of DSP here at Keeley. Not only is he devilishly good looking, he has a way of making waves look good, adding curves so to speak. He has added 2nd and 3rd order harmonics to this mix that simulate tape response and equipment distortions. Waves folded back on themselves.  Your gonna love his curves.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTime: 30-666ms \\m\/ \\m\/\u003c\/li\u003e\n\u003cli\u003eRegeneration:  As Jack White says, “Three.”  Up to three repeats. Or sometimes six….\u003c\/li\u003e\n\u003cli\u003eReverb: It’s Still Rock-and-Roll Room Reverb to Me\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch3\u003eThat’s What I Say Rockin’ Robbin!\u003c\/h3\u003e\n\u003cp\u003eNeoVintage – Low Fidelity. That’s right. That’s what I say. This doesn’t sounds like some merry band of pixie nymphs playing digital fiddles in your ear. It sounds freaking good…\u003cem\u003eGreat in fact.  \u003c\/em\u003eIf this pedal had a smell, like playing a new acoustic guitar, it would be too intoxicating to play.\u003c\/p\u003e\n\u003cp\u003eThe Keeley Memphis Sun – Lo-Fi Reverb, Echo and Double-Tracker\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XNYLNMPK6cQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":15320533958767,"sku":"KEE-MEMPHIS","price":259.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/keeley-memphis.jpg?v=1553153657"},{"product_id":"keeley-vibe-o-verb","title":"KEELEY Vibe-O-Verb","description":"\u003cp\u003eWelcome to the Vibe-O-Verb!\u003c\/p\u003e\n\u003cp\u003eThis is a reverberation machine…. Lost reverbs that never were.\u003c\/p\u003e\n\u003cp\u003eThe atmospheres are Vibey, have Vibratoneness, and are Phasery….\u003c\/p\u003e\n\u003cp\u003eThis three mode reverb lets you hear what some of the most classic effects sound like on just the reverb. Allowing you to create new sounds and textures like never before.\u003c\/p\u003e\n\u003cp\u003eFibonacci\u003c\/p\u003e\n\u003cp\u003eAll of the Delay Space in our reverb engine for the pedal are in the Fibonacci series. What does this mean for you? You’ll probably make more money, look better (see golden ratio below) and find true happiness. What does this mean for us? A secret pleasure in defining a reverb that is unique and possibly more musical. Since great works of art like Debussy’s La Mer have been crafted by using the Golden Ratio, why not create lengths of time defined by such ratios? 0, 1, 1, 2, 3, 5, 8, 13, 21, 34\u003c\/p\u003e\n\u003cp\u003eHarmonic Reverb\u003c\/p\u003e\n\u003cp\u003eThis mode is like a vintage Brownface Amp or our DynaTrem, Harmonic Tremolo on the reverb. Imagine choppy waves of tremolo on your verb! All with the a delicious hint of Vibe! Dynamic Dimension Canyons?!\u003c\/p\u003e\n\u003cp\u003eVibrato Reverb\u003c\/p\u003e\n\u003cp\u003ePitch Bending Reverberation Machine. From mild chorus to spacey bayou tones! Too grande to call our modulated chorus, this is one for modern psychedelics. For this one you have to imagine maybe both the source and the reflective wall moving! Maybe even accelerating with respect to each other. Why didn’t we call this one the General Theory Of Reverberation?\u003c\/p\u003e\n\u003cp\u003ePhaser\u003c\/p\u003e\n\u003cp\u003ePhaser Modulated Reverb. Maybe the most mild but in a way that lets you appreciate some of the space around notes. This notch filter in your reverb space gives the illusion of the reflecting wall morphing from carpet to wood, then to steel and then glass. Round and round. Get the idea? Dynamic reflections in an all new space.\u003cbr\u003eEnjoy these “Lost Reverbs” Vibe-O-Verb, reverbs that never were….until now.\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RfGif5-fMFc\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":15320559681647,"sku":"KEE-VIBE-O","price":209.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/keeley-vibeoverb.jpg?v=1553160425"},{"product_id":"keeley-red-dirt-germanium","title":"KEELEY Red Dirt Germanium","description":"\u003cp\u003eKeeley’s latest mod to the venerable platform has everyone grinning here at the shop. The Red Dirt Germanium is going to be made in two stages. The first 50 will have a Germanium transistor popping through the top of the pedal. Instantly identifiable as something new and unique to the Keeley line. From then on the transistor will be mounted inside the unit. Same exact circuit, just without the hood ornament.\u003c\/p\u003e\n\u003cp\u003eThe New Mod\u003c\/p\u003e\n\u003cp\u003eThe new mod happened as a result of me trying to be a touch lazy. Or let’s say, I was trying to find a short cut and struck gold. In modifying the circuit I came across a way to have variable gain on different parts of the frequency response. The rather small change isn’t ground breaking, but I’ve never seen it done this way in a tube screamer type of circuit. The resulting sound is exceptional. It sounds 3D. It’s more of everything. It in fact cleans up really nicely with the volume control even though it has plenty more gain on tap. It makes a stock screamer sound very flat and one dimensional. By allowing differing gain rates for the bass response, the bass stays tight and forceful. The mid range and highs are soaked in sustain and saturation. The balance is exceptional.\u003c\/p\u003e\n\u003cp\u003eRed Dirt History\u003c\/p\u003e\n\u003cp\u003eThe Red Dirt overdrive began from a quest to find the perfect classic drive sound while also offering new levels of sonic versatility to satisfy a wider range of musical styles. Founder and head engineer Robert Keeley took this idea and combined the great sounds found within his original “Mod Plus” and “Baked” modified pedals and added refinements found exclusively in his custom pedal line. A Keeley designed FET input stage makes this overdrive breakup in a whole new, genuinely “tube like” style that will have your leads singing and your rhythm playing sounding more dynamic and expressive than ever. It all culminates in an overdrive that is superbly dynamic, with crispness and clarity that let players cut through a dense mix, while retaining the plump midrange. By incorporating these tones along with the Keeley standard of U.S.A. hand-built quality using premium components, the Red Dirt overdrive aims to become an indispensable part of any pedal chain.\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Oom8WWdlaLw\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":15320569315439,"sku":"KEE-RED-GERM","price":239.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/2e53971147010a2941806542cd33644b.jpg?v=1553150733"},{"product_id":"union-tube-transistor-tour-bender","title":"UNION TUBE \u0026 TRANSISTOR Tour Bender","description":"\u003cp\u003eThe Tour Bender is a silicon version of our Sone Bender. They are voiced as closely as we could but some have said they hear the Sone Bender as a bit darker and the Tour Bender as a touch brighter.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDeluxe version has a wooden box, bandana, and laser engraved badge.\u003c\/span\u003e\u003c\/p\u003e","brand":"Union Tube and Transistor","offers":[{"title":"Default Title","offer_id":15320634294383,"sku":"UT-TOUR","price":359.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/45e8058ffa1d9e663ac79e50ca2bb436.jpg?v=1554439720"},{"product_id":"analog-alien-joe-walsh-double-classic","title":"ANALOG ALIEN Joe Walsh Double Classic","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePure classic tone!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe are honored to collaborate with Joe Walsh to release his first ever signature multi-effects stompbox in his near 50-year career: The Joe Walsh Double Classic. Walsh is the legendary guitarist of the Eagles, Barnstorm, James Gang, The Party Boys, and Ringo Starr \u0026amp; His All-Starr Band. Inducted into the Rock and Roll Hall of Fame, his playing style has caught much acclaim including praise from rock music giants Led Zeppelin’s Jimmy Page, Cream’s Eric Clapton and The Who’s Pete Townshend. The Double Classic is designed mimic the authentic Joe Walsh style and sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Joe Walsh Double Classic, or JWDC for short, is a dual effects pedal that we designed specifically for Joe Walsh. This unique, one of a kind pedal, combines two essential circuits (Compressor \u0026amp; Classic Amp), which Joe uses in both live performances and studio recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eCOMPRESSOR\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe Compressor in the JWDC allows you to control the dynamic range of your instrument. Unlike most stomp box compressors, the compressor in the JWDC has a very natural and musical sound – much like professional rack mounted compressors found in professional studios.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e – This control is similar to a threshold control that is found on professional studio compressors. It allows you to make adjustments to the signal level at the input stage of the unit. This control comes in very handy if you are using a bass or a guitar with active pickups. Active pickups tend to have a hotter output than passive pickups. By adjusting the sensitivity properly the output level of your instrument can be controlled, so as not to distort the input of the compressor. The opposite is true if the bass or guitar has passive or low output pickups. Raising the sensitivity control increases the input level, providing a stronger input signal which the compressor needs in order to work properly.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eRatio –\u003c\/strong\u003e This knob allows you to set the compression ratio. The range is adjustable from 2:1 to 10:1. The more you turn this knob up (clockwise) the higher the compression ratio. There is also a soft knee feature built into the circuit. This means that the ratio will start low and will then increase in direct proportion to the amount that the signal exceeds the threshold. Everything from mild to fairly heavy compression settings are possible. The compressor is a very flexible circuit that has both smooth and natural sounds. You will be able to control the dynamic range of your instrument while simutaneously preserve it’s tonal character.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e – This knob controls the level of the output signal from the compressor to the next effect in your signal chain.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eCLASSIC AMP\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe Classic Amp was designed to simulate the classic tube amps that Joe has used over the years. The sound of these vintage amps is legendary and can be heard on countless recordings that Joe has made through out his career. The controls on a classic tube amp were designed to be simple and straight-forward and the same is true for the Classic Amp.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eBass\u003c\/strong\u003e – This control allows you to cut or boost the low frequencies of your bass. The EQ curve is very smooth and versatile. You will be able to dial in the right amount of low end to give your bass punch and power while still retaining low end clarity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTreble\u003c\/strong\u003e – The treble knob allows you to adjust the mid and high range frequency spectrum of the bass. You can dial in the right amount of mids and highs without making your bass sound to brittle or harsh.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eGain\u003c\/strong\u003e – The gain control is very versatile. At lower settings (counter-clockwise) there is very little or no gain at all introduced to the signal. At this setting your bass will sound warm and full with no distortion. Keeping the gain control in this position will really allow you to experiment with the EQ settings. You can make some fine adjustments to your sound by simply experimenting with the bass and treble controls. Turning the gain control up (clockwise) introduces distortion. The distortion that the Classic Amp produces is not over the top – like that of a fuzz box. The sound breaks up naturally while at the same time retaining much of it’s clarity. Turning the gain up (clockwise) will also give your bass more drive and attitude. Experimentation is the key to unlocking the potential of the Classic Amp and the JWDC in general, so we encourage you to experiment with the pedal often.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e – This knob controls the level of the output signal from the Classic Amp to the next effect in your signal chain.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003ePRE\/POST SWITCH\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe Pre\/Post switch allows you to place the compressor before or after the Classic Amp in the signal chain. With the switch in the “Pre” position (down), the compressor is placed before the Classic Amp. With the switch in the “Post” (up) position the compressor is placed after the Classic Amp in the signal chain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLEASE NOTE: Pedal does not include 9v Power Supply in Australia.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hlV89dUtEUY\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Analog Alien","offers":[{"title":"Default Title","offer_id":15321275400303,"sku":"AA-JOE","price":359.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/72a5f32522c2d59ac5f6c7d681944c04.jpg?v=1553145349"},{"product_id":"keeley-seafoam-plus-chorus","title":"KEELEY Seafoam Plus Chorus","description":"\u003ch4\u003e\u003cem\u003eSeafoam Plus Chorus – True Chorus and ADT with Reverb\u003c\/em\u003e\u003c\/h4\u003e\n\u003cp\u003eKeeley Engineering is changing the minds of even the most picky players… again.\u003c\/p\u003e\n\u003cp\u003eWe redefined chorus. There is a new style of chorus that actually sounds \u003cem\u003eRIGHT\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eWe are proud to announce the all new \u003cem\u003eSeafoam Plus Chorus – True Chorus and ADT with Reverb\u003c\/em\u003e. It will forever change the way you think about chorus, because we have developed a new type of chorus that until now has only been available in expensive DAWs and in studios. Not only is it tuned for guitar, but there are voices and modes created specifically for bass players including flanging and tremolo. Lastly, this tri-mode chorus pedal offers internal switching for vintage and modern tones, further doubling the amount of sounds you can get.\u003c\/p\u003e\n\u003cp\u003eADT: \u003cstrong\u003eTHE NEW DEFINITION OF CHORUS\u003c\/strong\u003e. In the Seafoam Plus Chorus you get the automatic doubler that we developed in the revolutionary 30ms Double Tracker. Our ADT chorus is what we call True Chorus, because we create a second and third voice–like singers in a choir. Not only do they sing at different times, they sing at different pitches. True Chorus.\u003c\/p\u003e\n\u003cp\u003eSeafoam Mode: You guessed it… the all new Seafoam Plus Chorus–lush, wide, and with a very musical vibrato. It gives you the lush sounds and tone of a vintage BBD analog chorus unit. This is where you’ll find a typical chorus feature. The Seafoam Mode of the pedal has an LFO, the regularly cycling part you hear in most every other chorus unit. It provides a classic tone that you expect and which has become part of many classic tunes. Set the rate for slow and the depth for wide, and enjoy a really spacious sounding chorus. Roll the Mix Control all of the way up for Vibrato. With the Space control acting as a Tone Control in this mode, you can go from bright to vintage warmth, dialing in the perfect chorus.\u003c\/p\u003e\n\u003cp\u003eDual Chorus Mode: We created a frequency crossover-based dual-chorus engine. Imagine a dividing line that is centered on your high E-string. Control the depth of chorus independently for highs and lows. Craft the ultimate “Come As You Are” Nirvana of chorus tones. Create a very deep, throbbing chorus on the low end, and a near perfect calm on the top end. Or make the high-end and shimmer and waver while keeping the low end fixed!\u003c\/p\u003e\n\u003ch4\u003eChoralFlangelo\u003c\/h4\u003e\n\u003cp\u003eOK, it goes twice as deep. The Seafoam Plus Chorus is a Bass Chorus, Flanger, and Tremolo too! Pop off the back, flick a switch, and it’s a bass guitar player’s dream. The Space Controls gives you controls or Regeneration, High-pass filtering to keep things tight, and a haunting Tremolo you have to hear to believe! o let’s get down and funky, Michelangelo!\u003c\/p\u003e\n\u003ch4\u003eVintage at Heart\u003c\/h4\u003e\n\u003cp\u003eWant a softer tone? Chorus that’s silky smooth and warm? No problem. Internal switching puts it in “Vintage Mode.” The Keeley Seafoam Plus Chorus ships in “Modern Mode” for ultra wide, lush, and high-fidelity chorus. Either way, enjoy sounds that are downright frighteningly good. Makes you wonder, “Is that my fingers playing that tone?!?”!\u003c\/p\u003e\n\u003ch3\u003eSeafoam Plus Chorus Modes\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDimension Chorus – Automatic Double Tracker\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRATE\/TUNE:\u003c\/span\u003e Adjusts the Tune\/Pitch of Double Tracked voices by 0-21 cents\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDEPTH\/TIME:\u003c\/span\u003e Adjust the time delay in the Double Tracked voices by 0-21 milliseconds (ms)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSPACE:\u003c\/span\u003e Abbey Chamber Reverb\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBASS MODE:\u003c\/span\u003e Flanger with Space knob for Positive and Negative Feedback control. Center position is 0% Feedback. Works perfectly on guitar too.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeafoam Plus Chorus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRATE\/TUNE:\u003c\/span\u003e Rate from 0.1 – 7 Hz\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDEPTH\/TIME:\u003c\/span\u003e Depth from 0-20 ms\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSPACE:\u003c\/span\u003e Tone Control – +\/- 6dB @ 500Hz\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBASS MODE:\u003c\/span\u003e Tone Control -6dB @ 100Hz to +6dB @ 200Hz\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSpecial Notes: \u003c\/em\u003eThis is a simulation of our popular Seafoam Chorus and other popular vintage chorus pedals.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Seafoam Plus Chorus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRATE\/TUNE:\u003c\/span\u003e Rate from 0.1 – 7 Hz\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDEPTH\/TIME\u003c\/span\u003e: Depth of the High Band Chorus 0-10ms\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSPACE:\u003c\/span\u003e Depth of the Low Band Chorus 0-15ms\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBASS MODE:\u003c\/span\u003e Chorus on Top End – Haunting, Throbbing Tremolo on Bottom end.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSpecial Notes: \u003c\/em\u003eHigh Band chorus is delayed by 8ms and Low Band by 6ms. Provides Wide Lush chorus on top and Focused Musical Chorus on bass. Ultra wide and watery sounds! For Bass Mode: Band is split Chorus on Top and Tremolo on Bottom.\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/lsMNER7OEag\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":15321386877039,"sku":"KEE-SEAFOAM-PLUS","price":259.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/7a211262db40089cd00fc2d2461b3e3c.jpg?v=1553157210"},{"product_id":"providence-vzw-1-vitalizer-wv","title":"PROVIDENCE VZW-1 Vitalizer WV","description":"\u003cp\u003eThe Vitalizer™ is one of the buffers that converts high impedance signal that are more likely to degrade the sound quality by picking up noise or losing higher frequency sound while going through the wiring and electric circuits to low impedance signal that are less likely to be affected by those problems. It is an Active Impedance Converter that Providence has applied original invention to make sure the sound doesn't get too Hi-Fi while respecting guitars and effect pedals' character of sound signals. It delivers natural faithful instrument sound by using a special circuit that minimizes the \"Active\" sound.\u003c\/p\u003e\n\u003cp class=\"divider\"\u003e\u003cspan class=\"txtLarge txtBold\"\u003ePractical uses of the Vitalizer WV\u003c\/span\u003e\u003cbr\u003eThe wah and volume pedal tend to degrade the signal and color the tone when high impedance signal is received. The Vitalizer is more effective to be used where the player would like to minimize the tonal change. By sending low impedance signal from the Vitalizer WV to the wah or volume pedal, the player is able to control the vivid signal with minimized degradation on pedals. There are many ways to use this pedal effectively such as at the last position before the amp or first position after the guitar.\u003c\/p\u003e\n\u003cp class=\"divider\"\u003e\u003cspan class=\"txtLarge txtBold\"\u003eIn a small chassis\u003c\/span\u003e\u003cbr\u003eSince the pedal is designed to be placed next to the big chassis pedals such as wah and volume pedal, the Vitalizer WV is in a small chassis (60x73\/mm). It can be placed in a small space on the pedalboard and helps prevent degrade the signal. It needs to be used with external power supply when 9V battery is used. It also runs with AC adapter or power supply.\u003c\/p\u003e\n\u003cp class=\"txtLarge txtBold\"\u003eSPECIFICATIONS\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eConnectors: 1\/4-inch phone jack x 2 (INPUT and OUTPUT),\u003c\/li\u003e\n\u003cli\u003eDC 9V input jack (AC adaptor jack)\u003c\/li\u003e\n\u003cli\u003ePower Supply: 9V battery or AC adaptor\u003c\/li\u003e\n\u003cli\u003ePower Consumption: DC 9V, 3 mA approx. (effect ON)\u003c\/li\u003e\n\u003cli\u003eDimensions: 60(D)x73(W)x43(H)mm\u003c\/li\u003e\n\u003cli\u003eWeight: 100 g approx.\u003c\/li\u003e\n\u003cli\u003eSupplied Accessories: Outer Battery Box LE-OBB-2, 006P 9V Battery (6F22)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Providence","offers":[{"title":"Default Title","offer_id":15321721831535,"sku":"PROV-VZW-1","price":89.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/5a945b90a5668c060a724351ef26fd3a.jpg?v=1553149853"},{"product_id":"wren-and-cuff-ace-octave-fuzz","title":"WREN and CUFF Ace Octave Fuzz","description":"WREN and CUFF Ace Octave Fuzz\u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/lkK3_AFhi-Y\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Wren And Cuff","offers":[{"title":"Default Title","offer_id":15322731380847,"sku":"WC-ACE","price":199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/220534b8dd40f432d973a3708c594d69.jpg?v=1554438327"},{"product_id":"catalinbread-bicycle-delay","title":"CATALINBREAD Bicycle Delay","description":"\u003cp\u003e\u003cspan\u003eThe nature of the experience depends almost entirely on set and setting\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"the_story_tab product-tabs-title\"\u003eTHE STORY\u003c\/h3\u003e\n\u003cdiv class=\"product-tabs-content\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Bicycle Delay was something like an “Albert Hoffman moment” (to quote a good friend and guitarist Neal Casal). I sat down with no plan of where I was going but to allow myself the freedom to be open to wherever the journey took me and just document the experience. Really a strange path to travel when it involves something as cerebral as programming software. Or maybe it’s not. Maybe that’s a pure form of creativity, to use the boundaries something so matter of fact as programming as a medium for art? The result was a pedal as autobiographical as any I have been involved in. The Bicycle Delay is a physical manifestation of the experience of consciousness, letting go of the desire to control everything, and maintaining a positive attitude to leave room for a positive experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe more time I spent with the Bicycle Delay the more it unfolded its complexities to me. The harder I thought about what it was doing, the more difficult it was to put my finger on it. The more that I surrendered to what it was showing me, the more it set me free to be musically creative. In much the same way it took a computer to visualize a Mandelbrot Set, it took the Bicycle Delay for me to find the organic beauty in disharmony.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"overview_tab product-tabs-title\"\u003eOVERVIEW\u003c\/h3\u003e\n\u003cdiv class=\"product-tabs-content\"\u003e\n\u003cp\u003e\u003cspan\u003eThe way pedal behaves is also metaphoric to how I’ve been looking at life. Approach it from a negative perspective, go ahead, make it spiral downward. There is beauty in it, like there is enjoyment in picking at a scab. It’ll take you to darker musical places fitting for the vampires at night. It all depends on your mood. Bring it up, it wants to take off. Happiness in a madhouse. The most difficult and interesting stuff begins to happen when you keep it balanced. Edges of notes brighten radiantly to prominence, like the flora and fauna do when I walk Clemma in the early morning sun.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Bicycle Delay is as organic as a computer growing from a tree. Sonically the pedal is ever changing, even turning the knobs has an amorphous behavior. Go with it.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"experience_tab product-tabs-title\"\u003eEXPERIENCE\u003c\/h3\u003e\n\u003cdiv class=\"product-tabs-content\"\u003e\n\u003cp\u003ePlug your instrument into the Bicycle Delay and directly into your amplifier. Set all knobs to noon, clear yourself mentally and, for a time, destroy all notions of control. Listen to what the Bicycle Delay has to say. Approach each knob with an open mind. Take note of how they interact with each other and you. One knob at a time, be mindful of where the Bicycle Delay is taking you.\u003c\/p\u003e\n\u003ch4\u003eLUCIDITY\u003c\/h4\u003e\n\u003cp\u003eYin and Yang. There is a balance. The weight of each side is symbiotic and ever changing.\u003c\/p\u003e\n\u003ch4\u003eREFLECT\u003c\/h4\u003e\n\u003cp\u003eAmplifies the reflections of sounds being generated.\u003c\/p\u003e\n\u003ch4\u003eMOOD\u003c\/h4\u003e\n\u003cp\u003eTailspin or ascending a thermal? Sometimes it’s hard to tell. Even at the center there is chaos in the tranquility. Embrace it.\u003c\/p\u003e\n\u003ch4\u003eEXPANSE\u003c\/h4\u003e\n\u003cp\u003eWhere is the focus? Inward, close at hand? Or gazing outward at a far away horizon in the mind’s eye? Somewhere in between? Your journey can be as short or as long as you care to make it. Take your time\u003c\/p\u003e\n\u003cp\u003eSpeak and listen. There is opportunity and consequence to what you bring to the conversation. The quiet voice brings calm, reasoned responses; the bombastic can incite a strong reaction you did not anticipate. Many voices create a cacophony, the lone voice is heard clearly. Each can foster harmony or discord depending on what is being communicated. But always listen…\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/T1qBHR9K_ww\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":15324136734831,"sku":"CATALINBREAD-BICYCLE","price":269.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/d3a8ee376f35f2e76b340ccee1cc98f9.jpg?v=1553153624"},{"product_id":"stomp-under-foot-green-russian","title":"STOMP UNDER FOOT Green Russian","description":"\u003cp\u003e\u003cspan\u003e\u003cspan\u003eThe Green Russian is inspired by the bubble font version of the Russian made pedal. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eThe gritty fuzz and full bottom end of this pedal makes it a favorite of the Black Keys and was also widely used throughout the 90's by many artists including Sonic Youth. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eThe Green Russian is made using the same original NOS Russian transistors.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/60JXnvX_OV0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Stomp Under Foot","offers":[{"title":"Default Title","offer_id":15324195094639,"sku":"SUF-GREEN","price":259.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/stompunderfoot-greenrussian_5289546e-3c1a-456d-bc72-63ffa3b33c1f.jpg?v=1634270076"},{"product_id":"stomp-under-foot-halo-bender-distortion","title":"STOMP UNDER FOOT Halo Bender Distortion","description":"\u003cp\u003e\u003cspan\u003e\u003cspan\u003eThe Halo Bender is a versatile distortion pedal created out of my desire for a classic rock, guitar tone.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eThe gain control goes from a low-gain Fender crunch all the way up to JTM45 distortion all while retaining the clarity of your guitar.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eThe tone control goes from a full, chunky low-end to a pleasing high-end all while retaining a punchy rumble on the lower strings and a smoothness on the higher strings.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eThe tone control also works great when adjusting for single-coil or humbucking pick-ups.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eThe Halo Bender covers everything from AC\/DC, \"You Shook Me All Night Long\" tones to the Foo Fighters, \"Learn To Fly\" and everything in between.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5I6NVBdEYOU\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Stomp Under Foot","offers":[{"title":"Default Title","offer_id":15324267020399,"sku":"SUF-HALO","price":169.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/b427664e8cacf88712f6d8cc89f10008.jpg?v=1553145928"},{"product_id":"hotone-xtomp","title":"HOTONE Xtomp","description":"\u003ch2\u003e\n\u003cspan\u003eWHAT IS XTOMP\u003c\/span\u003e\u003cspan\u003e？\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eXTOMP is an ultrathin effects pedal stompbox that simulates all kinds of iconic classic, vintage, and modern pedals through its growing effects library of over 300 models. XTOMP uses iOS* and Android* app to manage all your effects and transfers them to your stompbox via Bluetooth Smart*.\u003c\/p\u003e\n\u003cp\u003eThis powerful pedal lets you get creative by giving you access to both modern, cutting edge units and rare, out of production pedals of lore. At any given time, it is always that “one” pedal you need:\u003c\/p\u003e\n\u003cp\u003e✪ Your secret weapon\u003c\/p\u003e\n\u003cp\u003e✪ The effect that comes to mind in a jam setting or on the fly\u003c\/p\u003e\n\u003cp\u003e✪ That pedal you could never afford or track down\u003c\/p\u003e\n\u003cp\u003e✪ Your ticket to experimenting with different tones\u003c\/p\u003e\n\u003cp\u003e✪ The classic tool for your home studio\u003c\/p\u003e\n\u003cp\u003e✪ And you can have it NOW, with no cables or computers\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eMAIN FEATURES\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e✪ Ultrathin design\u003c\/p\u003e\n\u003cp\u003e✪ Relay based true bypass footswitch with halo LED\u003c\/p\u003e\n\u003cp\u003e✪ 6 Knobs with halo LED\u003c\/p\u003e\n\u003cp\u003e✪ Stereo I\/O: L – Relay True Bypass, R – Buffered Bypass (analog)\u003c\/p\u003e\n\u003cp\u003e✪ Free iOS* and Android* app for loading effects\u003c\/p\u003e\n\u003cp\u003e✪ Growing effects library for downloading algorithms via iOS* and Android* app\u003c\/p\u003e\n\u003cp\u003e✪ 9V DC power supply\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eWHY SHOULD IT BE CONSIDERED AMONG THE TOP PRODUCTS?\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eHotone’s new Comprehensive Dynamic Circuit Modeling (CDCM) system technology, which processes various incoming signals dynamically, is unlike current modeling systems which use the same modeling circuit regardless of the signal. CDCM allows for larger and more complex modeling algorithms, which equals more realistic and natural tone. There has never been anything like this in tone modeling before!\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e【Prelude】\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHave you ever wanted to get a classic effects pedal but just couldn’t afford it? Or searched the depths of eBay but couldn’t find that vintage pedal you’re after? Are those sounds only available in your classic record collection, never to be enjoyed by your own guitar? Isn’t there any way to access those righteous effects?\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e【The Tech Story】\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAs early as 2001, the Hotone team was brainstorming on how to model those old classic pedal and amp tones. The brainstorming turned into a complex and drawn out research based technological pursuit. Even as other companies were developing tone modeling, Hotone was set on answering the question of how to get tones just like those original products.\u003c\/p\u003e\n\u003cp\u003eThe majority of mainstream modeling methodology is based on certain circuit theory analysis modeling algorithms. These algorithms can successfully model a circuit’s characteristics in static state, creating tones close to the original sound. But the catch here is the “static state.” The characteristics of static circuitry hardly ever reflect a circuit’s dynamic performance, and thus only ever come “close” to the modeled sound; they are never indistinguishable.\u003c\/p\u003e\n\u003cp\u003eHotone spent the last ten years realizing a modeling approach based on dynamic featured circuitry. In 2003, the core Hotone team began work on effects pedal model modeling and produced an amp modeling multi-effects unit based on the earliest circuit modeling technology later that year. In 2004, the team began deeper research into amp modeling and developed technology for products for other brands. In 2007, Hotone produced a digital stompbox with upgraded circuit modeling technology and in 2010 came out with another, based on next generation circuit modeling technology. Now in 2016, Hotone is showing off the new era XTOMP, the fruit of a decade of circuit modeling research and development, which employs our very own Comprehensive Dynamic Circuit Modeling (CDCM) system. CDCM has constructed an extremely complex dynamic variation matrix, able to realistically express every detailed change that occurs during the operational process of actual circuitry. That is to say, as XTOMP is operating, the models at work within it are constantly changing rather than remaining fixed. This matrix will adjust its own modeling parameters and even framework based on the instrument input signal range, signal frequency, knob position, the instrument’s own impedance, and other variable parameters, all to achieve the closest possible characteristics of actual circuitry.\u003c\/p\u003e\n\u003cp\u003eIn order to capture the most meaningful tones, Hotone spent most of its resources in obtaining those classic effects which have long since disappeared from the market. Even as most of the original casings are but a shadow of their former glory, with their circuitry intact, the tones they produce have only become more coveted with time. And here we’d like to thank everyone who lent their vintage effects to our modeling research. Each tone found in XTOMP was meticulously tested, measured, and compared by the Hotone team to guarantee it’s likeness to the original.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e【Design】\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eXTOMP is a breakthrough product and represents the accumulation of Hotone’s technological strengths. As such, the team paid a great deal of attention to its visual and structural design. Having undergone several design revisions, Hotone decided on its central features: an extremely thin zinc alloy casing, a silver sand blasted finish, futuristic streamlined edging, a sci-tech logo, multicolor LED halo-surrounded metal knobs, wide brass alloy kick switch (also with LED halo), and stereo I\/O jacks (L: Relay True Bypass, R: Buffer Bypass).\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e【Function】\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eXTOMP is an ultrathin effects pedal stompbox that simulates all kinds of iconic classic, vintage, and modern pedals through its growing effects library of over 300 models. Users can update and even contribute to the library. XTOMP uses an iOS* or Android* app to manage all your effects and transfers them to your stompbox via Bluetooth Smart*. A USB port allows for firmware updates and future XTOMP function upgrades. Guitarists, bassists, keyboard players, singers, DJs, and producers will all find the XTOMP an invaluable tool.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e【Operation】\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMusicians of all kinds love simple-to-operate gear. It lets them focus on the fun of making music. With that in mind, Hotone partnered with world-class mobile music software giant EUMLab to develop a smart but simple user interface: all you have to do is go in, find the pedal model you want, and put it in the XTOMP with the touch of a button. Adjust the XTOMP knobs to your liking, and you’re ready to rock.\u003c\/p\u003e\n\u003cp\u003eControls: 6 knobs, 1 On\/Off footswitch\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Jacks: Left in (mono), Right in, Left out (mono), Right out\u003c\/li\u003e\n\u003cli\u003eBypass Mode: Left channel – Relay True Bypass \u0026amp; Analog Buffer\u003c\/li\u003e\n\u003cli\u003eBypass, Right channel – Analog Buffer Bypass\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 1M ohms\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 100 ohms\u003c\/li\u003e\n\u003cli\u003eAudio Frequency Response: 5Hz~21kHz\u003c\/li\u003e\n\u003cli\u003eS\/N Ratio: 114dB\u003c\/li\u003e\n\u003cli\u003ePower Requirement: 9V DC center negative\u003c\/li\u003e\n\u003cli\u003eCurrent Consumption: Max.200mA\u003c\/li\u003e\n\u003cli\u003eDimensions: 126mm(D) x 73mm(W) x 35mm(H)\u003c\/li\u003e\n\u003cli\u003eWeight: 472g\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Hotone","offers":[{"title":"Default Title","offer_id":15324808347759,"sku":"HO-XTOMP","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/65bb8a1cdf6d2bcba096306d6f155cae.jpg?v=1553160554"},{"product_id":"free-the-tone-jb-82s-signal-junction-box","title":"FREE THE TONE JB-82s Signal Junction Box","description":"\u003cp\u003e\u003cspan\u003eSignal junction boxes are the products we at FREE THE TONE have custom-made most so far. A great many musicians use these products on their pedalboards or in their racks. To provide highest sound quality and user-friendliness, FREE THE TONE makes full use of its expertise and know-how gained from its experience of more than 10 years in designing and building custom products.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBy collecting inputs and outputs of the pedalboard into one place, the following merits can be obtained.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOne out of the four lines on the JB-41S can be used for balanced audio signal connection or amplifier control signal connection using a stereo plug.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTwo out of the eight lines on the JB-82S can be used for balanced audio signal connection or amplifier control signal connection using a stereo plug.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"feature\" class=\"content\"\u003e\n\u003ch3\u003eFEATURE\u003c\/h3\u003e\n\u003cul class=\"discList\"\u003e\n\u003cli\u003eWiring between the devices is simplified and setup time can be shortened.\u003c\/li\u003e\n\u003cli\u003eDamage to cables and plugs can be reduced by using a junction box as an interface rather than connecting cables directly to effects units or similar devices packed in a narrow space within a pedalboard.\u003c\/li\u003e\n\u003cli\u003eDepending on where this product is positioned, the INPUT jack on either side can be used as an input.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"specs\" class=\"content\"\u003e\n\u003cp class=\"bold mt25\"\u003eJB-82S\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTerminals: 16× 1\/4\" phone jacks (12× mono and 4× stereo), 4× DIN 7-pin connectors (for linking MIDI\/ARC-3)\u003c\/li\u003e\n\u003cli\u003eDimensions: 120W × 77D × 56H mm (incl. protuberances such as jacks)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 450 g (excl. accessories)\u003c\/li\u003e\n\u003cli\u003eAccessories: warranty card, manual, 2× L-shape brackets, 4× wood screws, 4× binding head screws\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":15325170761839,"sku":"FTT-JB-82","price":299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/10d518932e061764e7b511168665d33e.jpg?v=1553156887"},{"product_id":"solid-gold-fx-zeta-mkii","title":"SOLID GOLD FX Zeta MKII","description":"\u003cp\u003e\u003cspan\u003eThe new Zeta MK-II is a fine tuned variation of our classic SuperDrive platform. Stripped down with an uncomplicated no frills interface, the Zeta offers everything from light overdrive to warm, medium bodied saturation. The Zeta’s low gain tuning has its own distinct “greasy” character and just the right amount of snarl. Its tailored mid-range presence and a focused tone sweep deliver a sound that is sweet throughout. In addition to these features, the Zeta also has JFET based preamp that offers a hint of sag and subtle compression that giving it just the right amount of push-pull feel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe new MK-II version features an added Body contour toggle allowing for a slight increase or reduction in bass frequencies at higher gain settings. If you are looking for a diverse dynamic drive with distinct character, the Zeta is for you. If you are looking for a dynamic drive with a distinct character the Zeta is for you!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVol:\u003c\/strong\u003e Allows you to increase or reduce your volume level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain: \u003c\/strong\u003eAllows you to increase or decrease the amount of distortion. The tone will get brighter, as you increase the level of distortion.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTone:\u003c\/strong\u003e Allows you to adjust the amount of bass or treble content.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBody: \u003c\/strong\u003eAllows you to increase (toggle to the right) or reduce (toggle to the left) bass frequencies. The effect of this switch is more noticeable at higher gain settings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrue Bypass Switch:\u003c\/strong\u003e Allows you to engage or bypass the effect. The Zeta MkII is 100% true bypass.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent Draw:\u003c\/strong\u003e Approx. 5mA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e9V DC Input: \u003c\/strong\u003eThis pedal uses a negative ground, 9V DC power supply. It will also support 9-18V DC and battery operation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower supply or batteries not included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 4.39\" x 2.34\" x 1.06\" (112 x 60 x 27mm)\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/pGbItsLWmXk\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Solid Gold FX","offers":[{"title":"Default Title","offer_id":15325384212591,"sku":"SGFX-ZETA-MKII","price":159.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/40219c883f74e877b8c7f67347df8625.jpg?v=1553151503"},{"product_id":"friedman-sir-compre-pedal","title":"FRIEDMAN SIR-COMPRE Pedal","description":"\u003cp\u003e\u003cspan\u003eThe Sir-Compre is an optical compressor pedal with a Friedman twist.   The compressor controls include volume, treble, compression and a tight knob.  The twist is the included wide-range gain knob.  This gain control is the mastermind of the Sir-Compre and allows you to shape the overall sound of the pedal from ultra-clean to semi-overdriven.  This combination of compression and overdrive delivers epic tone versatility - semi gritty compression, warm compressed overdrive, singing  compressed drive, or adding that special channel to your clean amp - it's all here with the Sir-Compre.  And the twist is in the same itself!\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eOptical Compressor Pedal.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVolume, Treble, Compression and Tight.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWide Range Gain Knob.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTrue Bypass Switching.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePowered by 18VDC (no battery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e18V Spiltter Cable Included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAssembled in USA\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/OH9D-L8nCUM\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Friedman Amplification","offers":[{"title":"Default Title","offer_id":15326248239215,"sku":"FRIED-SIRCOMPRE","price":239.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/55ac8e0b1142701c6a4d6a4c4df03799.jpg?v=1553157455"},{"product_id":"hungry-robot-pedals-the-karman-line","title":"HUNGRY ROBOT PEDALS The Karman Line","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"font_7\"\u003eThe Kármán Line is a modulating joystick delay and oscillation device that features a heavily filtered, lo-fi delay line with vinyl inspired pitch modulation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe repeats on The Kármán Line are dark and overdriven.  The not-so-subtle grittiness provides the perfect tone for creating a deeply textured, lo-fi wall-of-sound. The Kármán Line was designed for glitchy experimentalists, but can find its place in many musical settings.  \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Kármán Line features vinyl-esque pitch modulation centered on an all analog, light-based LFO.  The modulation mimics the sound of slowing down a record player with your finger.  The modulation can go from subtle to extreme, borderline obnoxious (in a good way) pitch bending.  \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe most intriguing aspect of The Kármán Line is the implementation of a joystick.  The Kármán Line employs a delay chip that creates an audible warp as you manipulate the delay time, controlled by the Y-Axis of the joystick.  The X-Axis controls the rate of modulation. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"font_7\"\u003eThe \"Swell\" footswitch (center) and \"Launch\" footswitch (right) provide two methods for bringing the circuit into ramping oscillation.  Both footswitches work by overloading the circuit with out-of-control repeats (a.k.a. oscillation).  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"font_7\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe \"Swell\" footswitch is a momentary switch that allows you to create a ramping volume swell at any time.  It lets the repeats crash into each other, getting louder and louder with each repeat.  When you let go, the repeats return to their normal setting.  \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe \"Launch\" footswitch is a latching switch that creates a below the mix oscillation that can be manipulated with the joystick for outer space noises.  The joystick also acts as a pitch selector.  With the \"Launch\" switch activated, the O.Mix knob overrides the Mix knob to allow you to dampen the volume of the oscillation.  \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- - - - - Max delay time is just under 500ms in \"GUITAR MODE\" and 1000ms in \"BASS MODE.\" Mode is controlled by\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"font_7\"\u003ean internal dipswitch.  Please read manual for more information. - - - - -\u003c\/p\u003e\n\u003cp class=\"font_7\"\u003e\u003cspan\u003eCurrent Draw: 37 mA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_7\"\u003e\u003cspan\u003eSwitching: True-Bypass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_7\"\u003e\u003cspan\u003eDimensions: 5.7” x 4.7” x 1.5”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_7\"\u003e\u003cspan\u003ePowering:  9V DC - Negative Center - 2.1mm Barrel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_7\"\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RlpPBAouh5Y\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Hungry Robot Pedals","offers":[{"title":"Default Title","offer_id":15326552883311,"sku":"HRP-KARMAN","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/hungry-karman-line.jpg?v=1616988358"},{"product_id":"one-control-basilisk-midi-controller","title":"ONE CONTROL Basilisk Midi Controller","description":"\u003cp\u003e128 Presets, 2 presets per bank, 64 banks. Each preset has 5 PC# and 5 CC#. Expanded PC# value 0~199. Presets can be recalled by receiving PC# via MIDI in. 4 Presets can be accessed in flash mode with the four foot switches. Direct access mode allows the user to recall presets quickly. Active banks setup allow the user to set the start and end bank number for fast loop up. Quiet momentary foot switches. Powered from center negative 9v power supply.\u003c\/p\u003e","brand":"One Control","offers":[{"title":"Default Title","offer_id":15327694422127,"sku":"ONE-BASIL","price":199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/0150\/4111\/products\/53a76451cb140f758edf44efdfc7a987.jpg?v=1553148514"}],"url":"https:\/\/www.deluxeguitars.com.au\/collections\/effects\/source-audio.oembed","provider":"Deluxe Guitars","version":"1.0","type":"link"}